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For two brisk autumn days, Park Circle was alive with the hum of conversation and the rustle of possibility. The 2025 Global Art Fair , powered by NobleSol Art Group  under the leadership of Okeeba Jubalo, turned the quiet rhythm of North Charleston into a vibrant dialogue about art, heritage, and community. From the street, the Park Circle Community Building appeared modest, almost unassuming. Step inside, and the light shifted—spilling across canvases, sculptures, and faces that seemed to carry the weight and memory of generations. Hampton Keith Bishop’s balloon décor from HK Balloons lent an unexpected whimsy, punctuating the room with color and movement. There was a quiet electricity in the air, a sense that something was unfolding: a reclamation of identity, a reimagining of North Charleston’s cultural landscape, and a subtle insistence on what it could and should become. Okeeba Jubalo (TGAF Founder & Executive Creative Director) A Hometown Vision with Global Reach Okeeba Jubalo speaks with the cadence of someone deeply rooted in the soil he’s enriching. Born in Charleston and raised in North Charleston, he spent nearly three decades in Atlanta building a career that blends art, entrepreneurship, and cultural storytelling. Now, through the Global Art Fair, he’s bringing that experience back home. The fair, now in its second year, is both a showcase and a statement. Jubalo’s intent is not to import culture but to reveal the creative pulse that has always been here, waiting, often overlooked, beneath the surface of industrial corridors and suburban sprawl. As he explains, “The foundational expertise and pioneering work developed across major cultural centers, including Atlanta, have brought us to this critical juncture. This phase goes beyond individual performance, an operational capability we have already mastered.” Jubalo continued, “Our vision is to establish strategic alliances with high-performing artists and cultural leaders and secure the patronage needed to fund a robust cultural platform. This initiative will decisively position North Charleston as a distinct cultural epicenter, moving beyond the shadow of downtown Charleston. The time for this advancement is now, and we are strategically poised to move forward.” The weekend’s theme,  Welcome to the New North Charleston , felt both celebratory and declarative. Inside Park Circle’s transformed space, art hung like testimony: abstract portraits, bold textile pieces, intricate line work, and the quiet stillness of painted Lowcountry landscapes. The air was filled with conversation, and beneath it, the hum of change. TGAF (Friday Cocktail Reception) A Weekend of Art, Culture, and Purpose The opening night was sold out before the doors even opened. Guests arrived dressed for celebration, greeted by the familiar warmth of Southern hospitality—handshakes, hugs, and a soundtrack by DJ Balo (Okeeba Jubalo) that promised something memorable. Opening with a powerful spoken word performance by Christine D. Johnson, Georgia Nubia, and Hafeeza Yates, the evening was curated to stir the soul and celebrate the depth of creative expression. The fine art exhibition showcased the work of Patricia Coleman-Cobb, Alvin Glen, Renee H. Fleuranges-Valdes, Georgia Nubia, Margaret Warfield, Vando Davis, and Thom Bess, among others. Their pieces reflected the Fair’s dual spirit of rootedness and reinvention. Among the featured artists, Damon Mescudi brought a powerful perspective shaped by decades of creative evolution. His reflections captured both the vision of the Global Art Fair and the impact of its leadership. Damon Mescudi “After more than 40 years as an artist, I’ve seen my share of murky landscapes. Working with Okeeba and his team in Atlanta brought clarity. In Atlanta, Okeeba cut through the noise,” said Mescudi. “As an artist himself, he understands the collector–creator dynamic and the demographics that help artists thrive in North Charleston’s fertile art scene.” Music drifted through the evening courtesy of Zandrina Dunning and Stephen Washington, performing as The ZD Experience. Their set, part of TGAF’s Soul in the Circle Concert Series, wove jazz, soul, and R&B into the very fabric of the night, threading the room with rhythm, memory, and feeling. “The Global Art Fair was more than an event—it was a celebration of culture, connection, and creative excellence,” Dunning said later. “Every note we played was rooted in love and intention, mirroring the spirit of Okeeba Jubalo and NobleSol Art Group’s vision to unify community through art and open conversation.” Zandrina Dunning Stephen Washington The aroma from Chef Alexis Mungin’s kitchen mingled with the music. Her menu, a blend of Lowcountry flavors refined with elegance, spoke in its own language of tradition and transformation. “It wasn’t just an event—it was an experience that captured the spirit of creativity, culture, and community,” she said. “Every element was thoughtfully curated, and it all came together as a true celebration of excellence.” Okeeba Jubalo & Chef Alexis Mungin Community at the Core If Friday night was a statement of artistry, Saturday was a reminder of purpose. Community Day, free and open to the public, was a lively testament to accessibility—the idea that fine art and local culture don’t belong behind velvet ropes. Julia Rugg, CEO of Wings for Kids , reflected on the experience: “What a privilege for Wings for Kids to come together with other nonprofit leaders and our North Charleston community to open lines of communication, to align how we serve families and kids, and to build ourselves as a collective!” Culture Conversations V3 Nonprofit Leaders Panel “Okeeba Jubalo and his NobleSol Art Group are sparking energy, creativity, and community so North Charleston residents and businesses can rethink how futures are shaped,” continued Rugg. “It’s a fresh lens, rooted in deep passion for an arts renaissance that is about so much more than art.” The TGAF Vendors Fair lined the grounds with small businesses, artisans, and creative entrepreneurs. Among them were Edelena Smith Butler of Unforgettable Events, Aisha and Tiffany Green Darby of A’Neera Darby Designs, Tarsha Anderson-Laboard of Bawse Thangz Consulting, Sarina Freincle of A Beautiful Distraction, Georgia Nubia, and Lady Zen of Stix, Stones & Roots Clothier. Nearby, the Classic Car Show, featuring The Men of Vision Car Club, shimmered like a living exhibit of history and craftsmanship. Children tugged at their parents’ sleeves, pointing to candy-colored cars polished to perfection. The event carried the warmth of a neighborhood gathering, yet everything was curated with precision—every element intentional, every detail impactful. Inside, the conversation shifted from art to action. Culture Conversations: The Nonprofit Leader Panel, moderated by Okeeba Jubalo and Victoria Rae Boyton Moore, co-host of TINY is POWERFUL, brought together voices shaping the civic fabric of the region. The panel featured Susan Ash of Liza’s Lifeline, Julia Rugg of Wings for Kids, Ja’nister Herring, Ericka Plater of GroundWell Collective, and Maggie Yewens of Blood Cancer United. Their discussion circled a central idea: community work and creative work are not separate, but parallel forces capable of reshaping the social landscape. The Launch of Lowcountry Cigars On Saturday afternoon, amid the hum of conversation, another kind of unveiling took place—the official launch of Lowcountry Cigars , a venture co-founded by Jubalo and Johnny Clarkson, NobleSol Art Group’s Executive Digital Director. Part ritual, part business debut, it represented a continuation of Jubalo’s mission to reclaim and celebrate Southern artistry. Each cigar told a story of craftsmanship, lineage, and pride. Speaking on the vision behind the brand, Jubalo explained, “Lowcountry Cigars is founded on the core principles of cultural ownership and creating an exclusive platform for community connection. This brand represents the culmination of a decades-long partnership between Johnny and me, strategically leveraging our expertise to elevate the premium cigar experience. While Charleston remains a highly sought-after destination, we curate our brand experience for a discerning clientele who genuinely appreciate and embody the authentic Lowcountry culture. This venture is a genuine celebration and preservation of our distinct regional heritage.” The launch had already been chronicled in Park Circle Quarterly Magazine under the headline Lightning and Thunder: The Launch of Lowcountry Cigars , but witnessing it in North Charleston carried its own resonance. It was about community and the quiet comfort of shared moments. Leadership and Collaboration Behind the scenes, the event reflected the precision of a well-tuned orchestra. Kat Brown, Finance Officer; Johnny Clarkson, Executive Digital Director; Nailah Herbert, Executive Assistant and Lead Editorial Writer; and Sarah Bolden, Community Manager, each played a distinct role in executing the vision. Johnny Clarkson TGAF & NSAG Executive Digital Director They were supported by a network of ambassadors that stretched from local artisans to national thought leaders. Among them were Dr. Ariana Curtis and Jason Warner, Director of Business Programs for Cybersecurity and AI Incident Response Strategy at Microsoft. Their involvement underscored a truth about NobleSol Art Group’s reach: it connects local communities with global networks. Artists and Voices That Inspire Featured artist Renee H. Fleuranges-Valdes described her experience as both joyful and transformative. “The Global Art Fair felt like the beginning of something new—where fine art, spoken word, music, and culture came together to connect community and celebrate who we are,” she said. Renee H. Fleuranges-Valdes TGAF Featured artist & vendor Artist Margaret Warfield added that the Fair “provided a glimpse into the imaginations of the artists whose works adorned the elegant facility, while the songs and spoken words of our history and community instilled hope and inspiration.” Margaret Warfield embracing fellow TGAF featurted artist Patrica Coleman-Cobb And for Chef Alexis Mungin, who curated the culinary experience, the connection between food and art felt natural. “Both have the ability to evoke emotion, spark conversation, and connect people across generations,” she said. “Food tells the story of where we come from, while art helps us imagine where we can go.” The Bigger Picture: Revitalization Through Art For Dr. Edward Garnes , an Atlanta-based TGAF ambassador and founder of From Afros to Shelltoes and Sweet Tea Ethics, the Global Art Fair’s impact reaches far beyond the weekend. “In its second year, The Global Art Fair has emerged as a premier gathering, transforming not just North Charleston but the arts industry as a whole,” Garnes said. “Okeeba is a leader whose heart is with the people and whose vision focuses on freedom and financial stability, enabling artists to sustain themselves through their cultural work.” Okeeba Jubalo & Dr. Ed Garnes (Atlanta-based TGAF ambassador) This is the quiet revolution taking place in North Charleston. Through NobleSol Art Group’s work, art has become both a mirror and a roadmap—a way of reminding the city of its creative lineage while charting a path forward. For Jubalo, revitalization is not about gentrification or grandstanding, but about empowerment, ownership, and cultural preservation. What’s Ahead for North Charleston As the final notes faded and the last pieces of art were packed away, Park Circle returned to its calm rhythm. But something lingered in the air, a sense that the city’s creative heart was beating stronger, steadier, and louder. “The Global Art Fair was nothing short of extraordinary,” said Chef Mungin. “It reminded us that culture is for everyone, and The Global Art Fair made that possible.” For Okeeba Jubalo, this is only the beginning. The fair is one expression of a much larger vision, to cultivate an ecosystem where art is not a luxury but a necessity, where North Charleston’s creative legacy can flourish in full view of the world. The city may once have been overlooked, but with the work of Jubalo and NobleSol Art Group, it is now looking ahead with purpose, with pride, and with promise. Learn more about Okeeba Jubalo and how the NobleSol Art Group team is shaping the North Charleston community at www.OkeebaTheMayor.com  and www.ThePCQM.com .

For nearly thirty years, my family and I lived in Atlanta, only visiting Charleston for a week each summer. When my wife first suggested moving back a few years ago, I can honestly say I wasn't completely sold. To be transparent, I was hesitant about uprooting my life. I knew that returning to Charleston would mean committing to building an arts scene from the ground up . After decades of investing in my brand  and movements  in Atlanta , I realized I would be starting over from ground zero. It wasn't that Charleston lacked artists or Black businesses, but to achieve my vision, they needed to move at a specific pace—a pace I was prepared to set. The 2023 Atlanta Exhibition (Founded by Okeeba Jubalo & NobleSol Art Group) Sadly, Charleston has birthed incredible talent over the centuries, much of which never returned to help move our culture forward. In our community, we've grown accustomed to fragmented versions of "support." Support is a verb , and it takes a consistent, collective effort to spark a real movement. Having built successful brands and movements in Atlanta, I knew the resources, relationships, timing, patience, strategies, and consistency needed to navigate this transition successfully. Six years ago, I began to seriously look at Charleston and focus on what I could bring to the table. I knew my vision and execution could ignite the needed changes within North Charleston . It's easy to complain about what's wrong with a city; it’s much harder to power the needed, positive change. A Leap of Faith: The Journey Home In the summer of 2021, my wife and her parents came to scout our temporary landing spot, which ended up being downtown Charleston. This centralized location allowed us to look for land to build our home in North Charleston. Downtown felt like a world away from where I grew up. That September, we sold our home in Atlanta, and in October 2021, we completed the move. Calling it a leap of faith would be an understatement. I had begun preparing my Atlanta team in 2020, and now, the plays were in motion. Yet, I wasn't nervous; after all, this is my home turf. I was born in Charleston and raised in North Charleston, right on Ashley Phosphate Road . Fast forward to November 2021, when we began looking at commercial properties for our first gallery in North Charleston . Immediately, I was met with discouraging voices. Family, friends, and even random people told me the same thing: start downtown, not in North Charleston. They cited crime, drugs, violence, and a perceived lack of culture, understanding, and support. I heard every reason why I should avoid the community that raised me. My father, Jessie Brown, is buried in Sunset Memorial Gardens on Ashley Phosphate Road. I played with the Northwood Bulldogs. My family still lives here. Why would I not give those who poured into me the opportunity to experience the man I've become? I constantly read stories about gun violence, low morale, and lost lives in North Charleston. There is a desperation in the eyes of too many in our community. We have to reimagine  every aspect of this city, and becoming the needed change is the only way forward. Leading from the Front I understand that North Charleston’s leadership sectors need a new level of thinking and inspiration. The power of The Arts and entrepreneurship  can create the positive shift our community desperately needs. This will require a collective effort from those with like minds and diverse skills. We have work to do as a collective. You can’t drill holes in one side of the ship and expect the entire vessel to stay afloat; we have to work together with leaders who understand how to keep the ship whole. In December 2021, we chose Ten Mile  as the destination for our gallery and office in North Charleston. It was a powerful starting point that helped us give life to my beloved, yet recessed, North Charleston. Guests at the 2024 Global Art Fair To truly impact a community, inspiration must be accessible  to those who need it most. My professional accomplishments in Atlanta and beyond mean very little if I can't make my home a better place. Why go through everything I went through over the last thirty years only to stay away from home? I was raised in North Charleston, and now, my vision is to help raise North Charleston  to become the epicenter of arts and culture within South Carolina. I see the long road ahead clearly—no delusions and no fear. Leaders lead from the front, and over the last four years since returning home, I have made it clear that I am here to stay. Okeeba Jubalo (Founder & Executive Creative Director) at the 2024 Global Art Fai r Our cultural programming, art exhibitions, music concerts, and school programs have set a powerful tone for who I am and what I am about. As we move into the second year of the Global Art Fair , held in partnership with the North Charleston Office of Cultural Affairs, I am confident that coming home was the right decision. Now is the time, and we must continue to be the change that is needed within our community. I am warmed up now and looking forward to leading us into a prosperous 2026. North Charleston is my home, and my level of commitment is strong. Okeeba Jubalo: The Long Way Home P 1

Okeeba Jubalo & Kat Brown (Image by NobleSol Art Group) The Atlanta Fine Art Exhibition was nothing short of spectacular. From the featured artists and their striking artwork to the special guests in attendance. But there is a collective who makes all the difference in recognizing the value in the artists and contributing to their rising success: art collectors. Art collectors see the advantages that artists bring to communities and society. When an art piece is purchased, it’s considered an investment to help artists continue their craft while building excitement around an artist’s oeuvre, especially for Black artists who are severely underrepresented in the art scene. Founder and curator of the Atlanta Fine Art Exhibition, Okeeba Jubalo established the exhibit in 2009 to provide a platform for artists to showcase their talents and for art collectors to buy exclusive, one-of-one artwork. The Atlanta Fine Art Exhibition is a nationwide mobile fine art showcase. The most recent installment was hosted at the Emma Darnell Museum and Conference Center in Atlanta, Georgia, in early 2023. This year’s exhibition featured 44 artists that displayed work ranging from sculptures, mixed media pieces, collages, and paintings. Atlanta-based art collectors and married couple Yvonne and Randall Dragon understand the need to sow their financial seed into the community of artists to help them flourish. As business owners, they acknowledge that entrepreneurs have to start somewhere, and all it takes is for someone to take a chance on them. “Mother and Child II (Never Abandoned)” artwork by Shanneil Clarke “My husband and I are entrepreneurs, so we always want to support other entrepreneurs in creative fields,” said Yvonne Dragon, who, along with her husband, Randall Dragon, bought the “ Mother and Child II (Never Abandoned) ” artwork by Shanneil Clarke. “Collecting art is a way to express our style, make a statement and support small businesses at the same time.” The Dragons intentionally push the Black culture forward by purchasing artwork by Black artists and business owners. “It is vital to amplify Black artists, galleries, and patrons. Black people across the diaspora have so many stories to tell,” said Randall Dragon. “Art shows like the Atlanta Fine Art Exhibition bring like-minded individuals to elevate and celebrate art on a level that Black art deserves.” 2023 ATLANTAFAE & Friends Art installation (Image by NobleSol Art Group) The 2023 Atlanta & Friends Exhibition (Image by Katrina S. Crawford) Telling the story of Black art can be challenging, especially when you must go against a system that has oppressed Black art and Black people for centuries. However, Okeeba Jubalo understands the needs of artists because he is also a multi-disciplinary artist. He knows the feeling of being on both sides of the fence: as an artist and business owner who advocates for artists. “Unfortunately, the brand name "Atlanta" means more for artists when they are away from the city than when they are in the city. 98 percent of the artists who claim Atlanta do not really live in the city. It is a very challenging landscape for professional creatives, mainly because of the limitations of stagnant county agencies and the gallery market,” said Okeeba Jubalo, who is a top-tier purveyor of fine art. “My vision is to build a world-class mobile platform centered around Black art. All ethnic groups are welcome, but I am making sure that we are at the center of everything. I am being intentional about our success.” As a teenager growing up in North Charleston, South Carolina, Okeeba Jubalo created art as a means of self-expression. As he grew into a young man, he decided to attend The Art Institute of Atlanta to sharpen his craft and enter the executive-level suite of the art world. He soon noticed the “starving artists” narrative running rampant throughout Atlanta and the nation. So, he famously coined the term “thriving artists” to spearhead a new movement for artists. For decades, people have believed that artists don’t earn any money because their pieces are worth more when they die. The collective narrative is quite clear with artists such as Jean-Michel Basquiat and Vincent Van Gogh, whose paintings are worth millions today but couldn’t be bought for less than a penny when they were alive. Fortunately, that isn’t the case under the regime of NobleSol Art Group , another influential company founded by Okeeba Jubalo. Featured art by Jessica Michelle Hill “This was my first time working with Okeeba and the NobleSol Art Group team. It truly was an absolute pleasure working with them,” said Jessica Michelle Hill, a featured artist whose artwork sold on the night of the opening reception. “They really have respect for the artists. I felt supported as an artist and as a businesswoman. I am looking forward to working with them again in the future.” NobleSol Art Group advocates for artists and gets their artwork seen by key individuals and corporate companies who want to do more than stare at a pretty picture; they want to invest in the lives of creatives. “The exhibition brought together a broad spectrum of collectors seeking emerging and established artists. It created more visibility for me in the Atlanta market,” said Damon Mescudi, a featured artist who sold his artwork at the Atlanta Fine Art Exhibition. “It’s important to break away from the brick-and-mortar as they have controlled the narrative for too long. The mobile exhibit exposes a whole new way to invest and educate new collectors and art aficionados.” Dr Ed Garnes addressing the ATLANAFAE audience (Image by Katrina S Crawford) 2023 ATLANTAFAE installation (Image by NobleSol Art Group) The mobility of the Atlanta Fine Art Exhibition has changed the game for the entire art scene. Thus far, the Atlanta Fine Art Exhibition has traveled to states like South Carolina, Washington D.C., and Nevada. Jubalo has reinvented the wheel by providing unlimited bandwidth on how he connects with artists and art collectors. “There aren’t many African-American art galleries across the country. That’s why mobile exhibits like the Atlanta Fine Art Exhibition are so important,” said Michael Johnson on his experience with other exhibits compared to being a featured artist at the Atlanta Fine Art Exhibition. “I know there are a lot of young kids that used to be like me with unlocked talent, and they just need a little inspiration to unlock it. They should see the art, and their parents should get the opportunity to own some art.” Society truly thrives when artists thrive. Private collectors, museums, and unique exhibits all have one thing in common: telling a story through the lens of an artist. “We are big fans of James Baldwin, and we’ve looked at other pictures of James Baldwin, but we haven’t pulled the trigger on it. I noticed [Michael Johnson’s] piece as I was in line for a glass of wine. It was a mixed-media piece that used Vinyl records to compose it,” said Theo Guidry, an art collector who purchased Michael Johnson’s “ James Baldwin ” art piece at the Atlanta Fine Art Exhibition. “It showed Baldwin in such a unique light. We met Michael Johnson, and he talked about the piece, and with the artist being there and us having an opportunity to speak with the artists themselves, it gave us a much better appreciation of the piece.” Theo Guidry and his wife, Della Guidry. Featured artists, Darrien West & Michael Johnson Theo Guidry and his wife, Della Guidry, have collected artwork for years and have also gotten their family into collecting artwork. They have even made it a tradition to visit Black-owned museums and exhibits whenever they travel. Theo and Della Guidry purchased two pieces, one by Michael Johnson and one by Darrien West, on the opening night of the Atlanta Fine Art Exhibition. “Jubalo was very nice to us. We told him we wanted to take pictures with the artists, and he cleared the red carpet for us. He made way for us to get that picture taken, and my goodness, there were so many cameras on us I couldn’t believe it. I felt like a movie star,” said Della Guidry about the amount of press, the people who attended the event, and the smooth transaction of buying and leaving with the artwork the same day of purchasing it. “It was a fun event! My highlight of the event was meeting Michael Johnson and Darrien West. Jubalo’s wife, Kat Brown, was very nice and patient in helping us to purchase the art.” The Atlanta Fine Art Exhibition has always brought out several well-known art collectors and future art collectors like Spelman College student Veralyn Wen. An art history major, Wen was encouraged by her Spelman professor, Dr. Shady Radical, to attend the Atlanta Fine Art Exhibition. ATLANTAFAE patron & collector, James Jackson. Image by Katrina S. Crawford Executive Digital Director, Johnny Clarkson. (Image by Katrina S Crawford) “I grew up with art around me. But the Atlanta Fine Art Exhibition was my first time purchasing art. Collecting art is something that I know, and as an art history major, documentation is important. So, making art our history book and archiving, participating, and putting your dollar in is what my family has been doing for years. It’s kind of what’s expected of me as well,” said Veralyn Wen, a newly established art collector who bought the “ Zinc ” piece by Ty Davis. “As a college student, your pockets don’t run that deep yet. But I knew that if I left without that piece, something inside me was going to hurt. I got it, and it was a beautiful and satisfying moment, and I was able to leave with it.” Although artists are the stars of the show, art collectors help them shine even brighter by financially supporting their creative endeavors. Artists can inspire, educate, and change the world through their art. Not only does art assists in the uniting of different cultures, but it also increases economic growth. Okeeba Jubalo addressing the ATLANTAFAE audience “I was absolutely delighted to be included in the Atlanta Fine Art Exhibition. It was a wonderful evening, and I was so proud and happy. I bought [art] too,” said Sandy Teepen, a featured artist in the Atlanta Fine Art Exhibition who also collects art and bought Okeeba Jubalo’s piece, “ Hello Charleston .” “My motto is “make art, buy art.” That’s the way we [financially] support artists, museums, and galleries.” By purchasing artwork, people have the power to elevate the eyes and ears of everyone around them by allowing them to take heed to an emerging artist. “It’s our time to make our staple in this world because we exist also,” said Shanneil Clarke, a featured artist at the Atlanta Fine Art Exhibition who sold his “ Mother and Child II (Never Abandoned) ” piece. “One time, someone asked how much my work cost and they said to me, ‘You must think your Basquait.’ I didn’t think that at all. I told him, ‘I am Shanneil Clarke.’ I don’t think I am Picasso, and I don’t think I am Basquiat; I am Shanneil Clarke.” Black artists like Shanneil Clarke are often compared to artists of pastimes. But, providentially, the Atlanta Fine Art Exhibition puts Clarke and other artists on a bigger stage without any of them having to be put into a comprised and disillusioned box. ATLANTAFAE & Friends guests (Images by Katrina S Crawford) Countless artists have gone through the runaround regarding why they can’t be featured in a particular exhibit or why certain business sectors declined their offer to display their work. But NobleSol Art Group and the Okeeba Jubalo Gallery have changed the landscape and opened the doors for deserving artists to show their work without hindrance. “Some of the challenges with the art industry is access to the museums, galleries, and publications. Who decides which artists get the big platforms? Why are most artists holding space in these arenas still white males? How do we get galleries to value the work that artists do? Without the artists, there would be no art industry. Taking 50% without actively supporting the artists is extreme. But this is the established relationship most galleries have chosen to have with artists,” said Jessica Hill. “Pouring money directly into the artists through studios spaces, materials, and community programming would help to combat these challenges. Diversity, inclusivity, and more art programs for people of color would be ideal. As Black creatives, I believe we are the catalysts for change. Going against the mold like the Atlanta Fine Art Exhibition and NobelSol Art Group is a great way to start remedying the problems artists of color face.” All artists who participate in the exhibitions powered by NobleSol Art Group adhere to the ethically and morally sound business model created based on keeping the artist first. NobleSol Art Group will continue to advocate for its artists and create safe spaces where their creative abilities can prosper, and they can earn the income they deserve.