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For two brisk autumn days, Park Circle was alive with the hum of conversation and the rustle of possibility. The 2025 Global Art Fair , powered by NobleSol Art Group  under the leadership of Okeeba Jubalo, turned the quiet rhythm of North Charleston into a vibrant dialogue about art, heritage, and community. From the street, the Park Circle Community Building appeared modest, almost unassuming. Step inside, and the light shifted—spilling across canvases, sculptures, and faces that seemed to carry the weight and memory of generations. Hampton Keith Bishop’s balloon décor from HK Balloons lent an unexpected whimsy, punctuating the room with color and movement. There was a quiet electricity in the air, a sense that something was unfolding: a reclamation of identity, a reimagining of North Charleston’s cultural landscape, and a subtle insistence on what it could and should become. Okeeba Jubalo (TGAF Founder & Executive Creative Director) A Hometown Vision with Global Reach Okeeba Jubalo speaks with the cadence of someone deeply rooted in the soil he’s enriching. Born in Charleston and raised in North Charleston, he spent nearly three decades in Atlanta building a career that blends art, entrepreneurship, and cultural storytelling. Now, through the Global Art Fair, he’s bringing that experience back home. The fair, now in its second year, is both a showcase and a statement. Jubalo’s intent is not to import culture but to reveal the creative pulse that has always been here, waiting, often overlooked, beneath the surface of industrial corridors and suburban sprawl. As he explains, “The foundational expertise and pioneering work developed across major cultural centers, including Atlanta, have brought us to this critical juncture. This phase goes beyond individual performance, an operational capability we have already mastered.” Jubalo continued, “Our vision is to establish strategic alliances with high-performing artists and cultural leaders and secure the patronage needed to fund a robust cultural platform. This initiative will decisively position North Charleston as a distinct cultural epicenter, moving beyond the shadow of downtown Charleston. The time for this advancement is now, and we are strategically poised to move forward.” The weekend’s theme,  Welcome to the New North Charleston , felt both celebratory and declarative. Inside Park Circle’s transformed space, art hung like testimony: abstract portraits, bold textile pieces, intricate line work, and the quiet stillness of painted Lowcountry landscapes. The air was filled with conversation, and beneath it, the hum of change. TGAF (Friday Cocktail Reception) A Weekend of Art, Culture, and Purpose The opening night was sold out before the doors even opened. Guests arrived dressed for celebration, greeted by the familiar warmth of Southern hospitality—handshakes, hugs, and a soundtrack by DJ Balo (Okeeba Jubalo) that promised something memorable. Opening with a powerful spoken word performance by Christine D. Johnson, Georgia Nubia, and Hafeeza Yates, the evening was curated to stir the soul and celebrate the depth of creative expression. The fine art exhibition showcased the work of Patricia Coleman-Cobb, Alvin Glen, Renee H. Fleuranges-Valdes, Georgia Nubia, Margaret Warfield, Vando Davis, and Thom Bess, among others. Their pieces reflected the Fair’s dual spirit of rootedness and reinvention. Among the featured artists, Damon Mescudi brought a powerful perspective shaped by decades of creative evolution. His reflections captured both the vision of the Global Art Fair and the impact of its leadership. Damon Mescudi “After more than 40 years as an artist, I’ve seen my share of murky landscapes. Working with Okeeba and his team in Atlanta brought clarity. In Atlanta, Okeeba cut through the noise,” said Mescudi. “As an artist himself, he understands the collector–creator dynamic and the demographics that help artists thrive in North Charleston’s fertile art scene.” Music drifted through the evening courtesy of Zandrina Dunning and Stephen Washington, performing as The ZD Experience. Their set, part of TGAF’s Soul in the Circle Concert Series, wove jazz, soul, and R&B into the very fabric of the night, threading the room with rhythm, memory, and feeling. “The Global Art Fair was more than an event—it was a celebration of culture, connection, and creative excellence,” Dunning said later. “Every note we played was rooted in love and intention, mirroring the spirit of Okeeba Jubalo and NobleSol Art Group’s vision to unify community through art and open conversation.” Zandrina Dunning Stephen Washington The aroma from Chef Alexis Mungin’s kitchen mingled with the music. Her menu, a blend of Lowcountry flavors refined with elegance, spoke in its own language of tradition and transformation. “It wasn’t just an event—it was an experience that captured the spirit of creativity, culture, and community,” she said. “Every element was thoughtfully curated, and it all came together as a true celebration of excellence.” Okeeba Jubalo & Chef Alexis Mungin Community at the Core If Friday night was a statement of artistry, Saturday was a reminder of purpose. Community Day, free and open to the public, was a lively testament to accessibility—the idea that fine art and local culture don’t belong behind velvet ropes. Julia Rugg, CEO of Wings for Kids , reflected on the experience: “What a privilege for Wings for Kids to come together with other nonprofit leaders and our North Charleston community to open lines of communication, to align how we serve families and kids, and to build ourselves as a collective!” Culture Conversations V3 Nonprofit Leaders Panel “Okeeba Jubalo and his NobleSol Art Group are sparking energy, creativity, and community so North Charleston residents and businesses can rethink how futures are shaped,” continued Rugg. “It’s a fresh lens, rooted in deep passion for an arts renaissance that is about so much more than art.” The TGAF Vendors Fair lined the grounds with small businesses, artisans, and creative entrepreneurs. Among them were Edelena Smith Butler of Unforgettable Events, Aisha and Tiffany Green Darby of A’Neera Darby Designs, Tarsha Anderson-Laboard of Bawse Thangz Consulting, Sarina Freincle of A Beautiful Distraction, Georgia Nubia, and Lady Zen of Stix, Stones & Roots Clothier. Nearby, the Classic Car Show, featuring The Men of Vision Car Club, shimmered like a living exhibit of history and craftsmanship. Children tugged at their parents’ sleeves, pointing to candy-colored cars polished to perfection. The event carried the warmth of a neighborhood gathering, yet everything was curated with precision—every element intentional, every detail impactful. Inside, the conversation shifted from art to action. Culture Conversations: The Nonprofit Leader Panel, moderated by Okeeba Jubalo and Victoria Rae Boyton Moore, co-host of TINY is POWERFUL, brought together voices shaping the civic fabric of the region. The panel featured Susan Ash of Liza’s Lifeline, Julia Rugg of Wings for Kids, Ja’nister Herring, Ericka Plater of GroundWell Collective, and Maggie Yewens of Blood Cancer United. Their discussion circled a central idea: community work and creative work are not separate, but parallel forces capable of reshaping the social landscape. The Launch of Lowcountry Cigars On Saturday afternoon, amid the hum of conversation, another kind of unveiling took place—the official launch of Lowcountry Cigars , a venture co-founded by Jubalo and Johnny Clarkson, NobleSol Art Group’s Executive Digital Director. Part ritual, part business debut, it represented a continuation of Jubalo’s mission to reclaim and celebrate Southern artistry. Each cigar told a story of craftsmanship, lineage, and pride. Speaking on the vision behind the brand, Jubalo explained, “Lowcountry Cigars is founded on the core principles of cultural ownership and creating an exclusive platform for community connection. This brand represents the culmination of a decades-long partnership between Johnny and me, strategically leveraging our expertise to elevate the premium cigar experience. While Charleston remains a highly sought-after destination, we curate our brand experience for a discerning clientele who genuinely appreciate and embody the authentic Lowcountry culture. This venture is a genuine celebration and preservation of our distinct regional heritage.” The launch had already been chronicled in Park Circle Quarterly Magazine under the headline Lightning and Thunder: The Launch of Lowcountry Cigars , but witnessing it in North Charleston carried its own resonance. It was about community and the quiet comfort of shared moments. Leadership and Collaboration Behind the scenes, the event reflected the precision of a well-tuned orchestra. Kat Brown, Finance Officer; Johnny Clarkson, Executive Digital Director; Nailah Herbert, Executive Assistant and Lead Editorial Writer; and Sarah Bolden, Community Manager, each played a distinct role in executing the vision. Johnny Clarkson TGAF & NSAG Executive Digital Director They were supported by a network of ambassadors that stretched from local artisans to national thought leaders. Among them were Dr. Ariana Curtis and Jason Warner, Director of Business Programs for Cybersecurity and AI Incident Response Strategy at Microsoft. Their involvement underscored a truth about NobleSol Art Group’s reach: it connects local communities with global networks. Artists and Voices That Inspire Featured artist Renee H. Fleuranges-Valdes described her experience as both joyful and transformative. “The Global Art Fair felt like the beginning of something new—where fine art, spoken word, music, and culture came together to connect community and celebrate who we are,” she said. Renee H. Fleuranges-Valdes TGAF Featured artist & vendor Artist Margaret Warfield added that the Fair “provided a glimpse into the imaginations of the artists whose works adorned the elegant facility, while the songs and spoken words of our history and community instilled hope and inspiration.” Margaret Warfield embracing fellow TGAF featurted artist Patrica Coleman-Cobb And for Chef Alexis Mungin, who curated the culinary experience, the connection between food and art felt natural. “Both have the ability to evoke emotion, spark conversation, and connect people across generations,” she said. “Food tells the story of where we come from, while art helps us imagine where we can go.” The Bigger Picture: Revitalization Through Art For Dr. Edward Garnes , an Atlanta-based TGAF ambassador and founder of From Afros to Shelltoes and Sweet Tea Ethics, the Global Art Fair’s impact reaches far beyond the weekend. “In its second year, The Global Art Fair has emerged as a premier gathering, transforming not just North Charleston but the arts industry as a whole,” Garnes said. “Okeeba is a leader whose heart is with the people and whose vision focuses on freedom and financial stability, enabling artists to sustain themselves through their cultural work.” Okeeba Jubalo & Dr. Ed Garnes (Atlanta-based TGAF ambassador) This is the quiet revolution taking place in North Charleston. Through NobleSol Art Group’s work, art has become both a mirror and a roadmap—a way of reminding the city of its creative lineage while charting a path forward. For Jubalo, revitalization is not about gentrification or grandstanding, but about empowerment, ownership, and cultural preservation. What’s Ahead for North Charleston As the final notes faded and the last pieces of art were packed away, Park Circle returned to its calm rhythm. But something lingered in the air, a sense that the city’s creative heart was beating stronger, steadier, and louder. “The Global Art Fair was nothing short of extraordinary,” said Chef Mungin. “It reminded us that culture is for everyone, and The Global Art Fair made that possible.” For Okeeba Jubalo, this is only the beginning. The fair is one expression of a much larger vision, to cultivate an ecosystem where art is not a luxury but a necessity, where North Charleston’s creative legacy can flourish in full view of the world. The city may once have been overlooked, but with the work of Jubalo and NobleSol Art Group, it is now looking ahead with purpose, with pride, and with promise. Learn more about Okeeba Jubalo and how the NobleSol Art Group team is shaping the North Charleston community at www.OkeebaTheMayor.com  and www.ThePCQM.com .

For nearly thirty years, my family and I lived in Atlanta, only visiting Charleston for a week each summer. When my wife first suggested moving back a few years ago, I can honestly say I wasn't completely sold. To be transparent, I was hesitant about uprooting my life. I knew that returning to Charleston would mean committing to building an arts scene from the ground up . After decades of investing in my brand  and movements  in Atlanta , I realized I would be starting over from ground zero. It wasn't that Charleston lacked artists or Black businesses, but to achieve my vision, they needed to move at a specific pace—a pace I was prepared to set. The 2023 Atlanta Exhibition (Founded by Okeeba Jubalo & NobleSol Art Group) Sadly, Charleston has birthed incredible talent over the centuries, much of which never returned to help move our culture forward. In our community, we've grown accustomed to fragmented versions of "support." Support is a verb , and it takes a consistent, collective effort to spark a real movement. Having built successful brands and movements in Atlanta, I knew the resources, relationships, timing, patience, strategies, and consistency needed to navigate this transition successfully. Six years ago, I began to seriously look at Charleston and focus on what I could bring to the table. I knew my vision and execution could ignite the needed changes within North Charleston . It's easy to complain about what's wrong with a city; it’s much harder to power the needed, positive change. A Leap of Faith: The Journey Home In the summer of 2021, my wife and her parents came to scout our temporary landing spot, which ended up being downtown Charleston. This centralized location allowed us to look for land to build our home in North Charleston. Downtown felt like a world away from where I grew up. That September, we sold our home in Atlanta, and in October 2021, we completed the move. Calling it a leap of faith would be an understatement. I had begun preparing my Atlanta team in 2020, and now, the plays were in motion. Yet, I wasn't nervous; after all, this is my home turf. I was born in Charleston and raised in North Charleston, right on Ashley Phosphate Road . Fast forward to November 2021, when we began looking at commercial properties for our first gallery in North Charleston . Immediately, I was met with discouraging voices. Family, friends, and even random people told me the same thing: start downtown, not in North Charleston. They cited crime, drugs, violence, and a perceived lack of culture, understanding, and support. I heard every reason why I should avoid the community that raised me. My father, Jessie Brown, is buried in Sunset Memorial Gardens on Ashley Phosphate Road. I played with the Northwood Bulldogs. My family still lives here. Why would I not give those who poured into me the opportunity to experience the man I've become? I constantly read stories about gun violence, low morale, and lost lives in North Charleston. There is a desperation in the eyes of too many in our community. We have to reimagine  every aspect of this city, and becoming the needed change is the only way forward. Leading from the Front I understand that North Charleston’s leadership sectors need a new level of thinking and inspiration. The power of The Arts and entrepreneurship  can create the positive shift our community desperately needs. This will require a collective effort from those with like minds and diverse skills. We have work to do as a collective. You can’t drill holes in one side of the ship and expect the entire vessel to stay afloat; we have to work together with leaders who understand how to keep the ship whole. In December 2021, we chose Ten Mile  as the destination for our gallery and office in North Charleston. It was a powerful starting point that helped us give life to my beloved, yet recessed, North Charleston. Guests at the 2024 Global Art Fair To truly impact a community, inspiration must be accessible  to those who need it most. My professional accomplishments in Atlanta and beyond mean very little if I can't make my home a better place. Why go through everything I went through over the last thirty years only to stay away from home? I was raised in North Charleston, and now, my vision is to help raise North Charleston  to become the epicenter of arts and culture within South Carolina. I see the long road ahead clearly—no delusions and no fear. Leaders lead from the front, and over the last four years since returning home, I have made it clear that I am here to stay. Okeeba Jubalo (Founder & Executive Creative Director) at the 2024 Global Art Fai r Our cultural programming, art exhibitions, music concerts, and school programs have set a powerful tone for who I am and what I am about. As we move into the second year of the Global Art Fair , held in partnership with the North Charleston Office of Cultural Affairs, I am confident that coming home was the right decision. Now is the time, and we must continue to be the change that is needed within our community. I am warmed up now and looking forward to leading us into a prosperous 2026. North Charleston is my home, and my level of commitment is strong. Okeeba Jubalo: The Long Way Home P 1

Okeeba Jubalo & Kat Brown (Image by NobleSol Art Group) The Atlanta Fine Art Exhibition was nothing short of spectacular. From the featured artists and their striking artwork to the special guests in attendance. But there is a collective who makes all the difference in recognizing the value in the artists and contributing to their rising success: art collectors. Art collectors see the advantages that artists bring to communities and society. When an art piece is purchased, it’s considered an investment to help artists continue their craft while building excitement around an artist’s oeuvre, especially for Black artists who are severely underrepresented in the art scene. Founder and curator of the Atlanta Fine Art Exhibition, Okeeba Jubalo established the exhibit in 2009 to provide a platform for artists to showcase their talents and for art collectors to buy exclusive, one-of-one artwork. The Atlanta Fine Art Exhibition is a nationwide mobile fine art showcase. The most recent installment was hosted at the Emma Darnell Museum and Conference Center in Atlanta, Georgia, in early 2023. This year’s exhibition featured 44 artists that displayed work ranging from sculptures, mixed media pieces, collages, and paintings. Atlanta-based art collectors and married couple Yvonne and Randall Dragon understand the need to sow their financial seed into the community of artists to help them flourish. As business owners, they acknowledge that entrepreneurs have to start somewhere, and all it takes is for someone to take a chance on them. “Mother and Child II (Never Abandoned)” artwork by Shanneil Clarke “My husband and I are entrepreneurs, so we always want to support other entrepreneurs in creative fields,” said Yvonne Dragon, who, along with her husband, Randall Dragon, bought the “ Mother and Child II (Never Abandoned) ” artwork by Shanneil Clarke. “Collecting art is a way to express our style, make a statement and support small businesses at the same time.” The Dragons intentionally push the Black culture forward by purchasing artwork by Black artists and business owners. “It is vital to amplify Black artists, galleries, and patrons. Black people across the diaspora have so many stories to tell,” said Randall Dragon. “Art shows like the Atlanta Fine Art Exhibition bring like-minded individuals to elevate and celebrate art on a level that Black art deserves.” 2023 ATLANTAFAE & Friends Art installation (Image by NobleSol Art Group) The 2023 Atlanta & Friends Exhibition (Image by Katrina S. Crawford) Telling the story of Black art can be challenging, especially when you must go against a system that has oppressed Black art and Black people for centuries. However, Okeeba Jubalo understands the needs of artists because he is also a multi-disciplinary artist. He knows the feeling of being on both sides of the fence: as an artist and business owner who advocates for artists. “Unfortunately, the brand name "Atlanta" means more for artists when they are away from the city than when they are in the city. 98 percent of the artists who claim Atlanta do not really live in the city. It is a very challenging landscape for professional creatives, mainly because of the limitations of stagnant county agencies and the gallery market,” said Okeeba Jubalo, who is a top-tier purveyor of fine art. “My vision is to build a world-class mobile platform centered around Black art. All ethnic groups are welcome, but I am making sure that we are at the center of everything. I am being intentional about our success.” As a teenager growing up in North Charleston, South Carolina, Okeeba Jubalo created art as a means of self-expression. As he grew into a young man, he decided to attend The Art Institute of Atlanta to sharpen his craft and enter the executive-level suite of the art world. He soon noticed the “starving artists” narrative running rampant throughout Atlanta and the nation. So, he famously coined the term “thriving artists” to spearhead a new movement for artists. For decades, people have believed that artists don’t earn any money because their pieces are worth more when they die. The collective narrative is quite clear with artists such as Jean-Michel Basquiat and Vincent Van Gogh, whose paintings are worth millions today but couldn’t be bought for less than a penny when they were alive. Fortunately, that isn’t the case under the regime of NobleSol Art Group , another influential company founded by Okeeba Jubalo. Featured art by Jessica Michelle Hill “This was my first time working with Okeeba and the NobleSol Art Group team. It truly was an absolute pleasure working with them,” said Jessica Michelle Hill, a featured artist whose artwork sold on the night of the opening reception. “They really have respect for the artists. I felt supported as an artist and as a businesswoman. I am looking forward to working with them again in the future.” NobleSol Art Group advocates for artists and gets their artwork seen by key individuals and corporate companies who want to do more than stare at a pretty picture; they want to invest in the lives of creatives. “The exhibition brought together a broad spectrum of collectors seeking emerging and established artists. It created more visibility for me in the Atlanta market,” said Damon Mescudi, a featured artist who sold his artwork at the Atlanta Fine Art Exhibition. “It’s important to break away from the brick-and-mortar as they have controlled the narrative for too long. The mobile exhibit exposes a whole new way to invest and educate new collectors and art aficionados.” Dr Ed Garnes addressing the ATLANAFAE audience (Image by Katrina S Crawford) 2023 ATLANTAFAE installation (Image by NobleSol Art Group) The mobility of the Atlanta Fine Art Exhibition has changed the game for the entire art scene. Thus far, the Atlanta Fine Art Exhibition has traveled to states like South Carolina, Washington D.C., and Nevada. Jubalo has reinvented the wheel by providing unlimited bandwidth on how he connects with artists and art collectors. “There aren’t many African-American art galleries across the country. That’s why mobile exhibits like the Atlanta Fine Art Exhibition are so important,” said Michael Johnson on his experience with other exhibits compared to being a featured artist at the Atlanta Fine Art Exhibition. “I know there are a lot of young kids that used to be like me with unlocked talent, and they just need a little inspiration to unlock it. They should see the art, and their parents should get the opportunity to own some art.” Society truly thrives when artists thrive. Private collectors, museums, and unique exhibits all have one thing in common: telling a story through the lens of an artist. “We are big fans of James Baldwin, and we’ve looked at other pictures of James Baldwin, but we haven’t pulled the trigger on it. I noticed [Michael Johnson’s] piece as I was in line for a glass of wine. It was a mixed-media piece that used Vinyl records to compose it,” said Theo Guidry, an art collector who purchased Michael Johnson’s “ James Baldwin ” art piece at the Atlanta Fine Art Exhibition. “It showed Baldwin in such a unique light. We met Michael Johnson, and he talked about the piece, and with the artist being there and us having an opportunity to speak with the artists themselves, it gave us a much better appreciation of the piece.” Theo Guidry and his wife, Della Guidry. Featured artists, Darrien West & Michael Johnson Theo Guidry and his wife, Della Guidry, have collected artwork for years and have also gotten their family into collecting artwork. They have even made it a tradition to visit Black-owned museums and exhibits whenever they travel. Theo and Della Guidry purchased two pieces, one by Michael Johnson and one by Darrien West, on the opening night of the Atlanta Fine Art Exhibition. “Jubalo was very nice to us. We told him we wanted to take pictures with the artists, and he cleared the red carpet for us. He made way for us to get that picture taken, and my goodness, there were so many cameras on us I couldn’t believe it. I felt like a movie star,” said Della Guidry about the amount of press, the people who attended the event, and the smooth transaction of buying and leaving with the artwork the same day of purchasing it. “It was a fun event! My highlight of the event was meeting Michael Johnson and Darrien West. Jubalo’s wife, Kat Brown, was very nice and patient in helping us to purchase the art.” The Atlanta Fine Art Exhibition has always brought out several well-known art collectors and future art collectors like Spelman College student Veralyn Wen. An art history major, Wen was encouraged by her Spelman professor, Dr. Shady Radical, to attend the Atlanta Fine Art Exhibition. ATLANTAFAE patron & collector, James Jackson. Image by Katrina S. Crawford Executive Digital Director, Johnny Clarkson. (Image by Katrina S Crawford) “I grew up with art around me. But the Atlanta Fine Art Exhibition was my first time purchasing art. Collecting art is something that I know, and as an art history major, documentation is important. So, making art our history book and archiving, participating, and putting your dollar in is what my family has been doing for years. It’s kind of what’s expected of me as well,” said Veralyn Wen, a newly established art collector who bought the “ Zinc ” piece by Ty Davis. “As a college student, your pockets don’t run that deep yet. But I knew that if I left without that piece, something inside me was going to hurt. I got it, and it was a beautiful and satisfying moment, and I was able to leave with it.” Although artists are the stars of the show, art collectors help them shine even brighter by financially supporting their creative endeavors. Artists can inspire, educate, and change the world through their art. Not only does art assists in the uniting of different cultures, but it also increases economic growth. Okeeba Jubalo addressing the ATLANTAFAE audience “I was absolutely delighted to be included in the Atlanta Fine Art Exhibition. It was a wonderful evening, and I was so proud and happy. I bought [art] too,” said Sandy Teepen, a featured artist in the Atlanta Fine Art Exhibition who also collects art and bought Okeeba Jubalo’s piece, “ Hello Charleston .” “My motto is “make art, buy art.” That’s the way we [financially] support artists, museums, and galleries.” By purchasing artwork, people have the power to elevate the eyes and ears of everyone around them by allowing them to take heed to an emerging artist. “It’s our time to make our staple in this world because we exist also,” said Shanneil Clarke, a featured artist at the Atlanta Fine Art Exhibition who sold his “ Mother and Child II (Never Abandoned) ” piece. “One time, someone asked how much my work cost and they said to me, ‘You must think your Basquait.’ I didn’t think that at all. I told him, ‘I am Shanneil Clarke.’ I don’t think I am Picasso, and I don’t think I am Basquiat; I am Shanneil Clarke.” Black artists like Shanneil Clarke are often compared to artists of pastimes. But, providentially, the Atlanta Fine Art Exhibition puts Clarke and other artists on a bigger stage without any of them having to be put into a comprised and disillusioned box. ATLANTAFAE & Friends guests (Images by Katrina S Crawford) Countless artists have gone through the runaround regarding why they can’t be featured in a particular exhibit or why certain business sectors declined their offer to display their work. But NobleSol Art Group and the Okeeba Jubalo Gallery have changed the landscape and opened the doors for deserving artists to show their work without hindrance. “Some of the challenges with the art industry is access to the museums, galleries, and publications. Who decides which artists get the big platforms? Why are most artists holding space in these arenas still white males? How do we get galleries to value the work that artists do? Without the artists, there would be no art industry. Taking 50% without actively supporting the artists is extreme. But this is the established relationship most galleries have chosen to have with artists,” said Jessica Hill. “Pouring money directly into the artists through studios spaces, materials, and community programming would help to combat these challenges. Diversity, inclusivity, and more art programs for people of color would be ideal. As Black creatives, I believe we are the catalysts for change. Going against the mold like the Atlanta Fine Art Exhibition and NobelSol Art Group is a great way to start remedying the problems artists of color face.” All artists who participate in the exhibitions powered by NobleSol Art Group adhere to the ethically and morally sound business model created based on keeping the artist first. NobleSol Art Group will continue to advocate for its artists and create safe spaces where their creative abilities can prosper, and they can earn the income they deserve.

In the late 1800s, our society transitioned from battling the darkness of night with candlelight and kerosine lamps to the explosion of electricity to brighten our homes and businesses. Visionaries like J.P. Morgan, Thomas Edison, Nikola Tesla, and George Westinghouse worked tirelessly to push the business of electricity forward. There are times within our culture when we do not know what we are missing until a pioneer identifies a need within our community. We have a long list of Black men who are willing to go first on behalf of bettering our society. Berry Gordy, Robert Johnson, George Washington Carver, John H. Johnson, and Maynard Eaton all moved the needle forward for the culture. These trailblazers aren’t always positively embraced by the mainstream media and public; as a Black man in any industry, this can be twice as challenging and daunting. The arts, business, and culture industries are a loaded minefield with barbed wire stretched out as far as the eyes can see as a means to discourage our thought leaders and innovators. However, within the City of North Charleston, a movement and renaissance has been spearheaded by a true visionary, Okeeba Jubalo , who set his plans in motion to revolutionize the low country arts and business scene in October 2021. Fast forward to today, and he has accomplished just that within a few short years. A son of Charleston and resident of North Charleston, Jubalo made the long journey back to his hometown in October 2021, Jubalo made the long journey back to his hometown after serving as an arts and small business industry leader in Atlanta, Georgia, for nearly three decades. Jubalo has centered his vision on turning North Charleston into the epicenter of African-American culture. Since his return, Jubalo has set up shop to meticulously impact the communities within Charleston, including the Black community, the business community, and everyone in between. From schools to organizations, he has partnered with several institutions and community leaders to make his vision a reality: writing the history of a new North Charleston. “Most people who did not know me prior to my return are surprised by the amount of ground that we have covered over the last three years,” said Okeeba Jubalo. “Those who knew me knew exactly what North Charleston would get from me and the effort of my team. I came home with a plan in place; now everything is about execution at a high level.” Okeeba Jubalo addressing his guests at the Atlanta & Friends Exhibition Guests at the Okeeba Jubalo Gallery Guests at the Okeeba Jubalo Gallery Okeeba Jubalo addressing his guests at the Atlanta & Friends Exhibition Jubalo has already made significant progress in his efforts to revitalize the image of North Charleston. He established the South's premier African-American gallery , Okeeba Jubalo Fine Art Gallery, where he has hosted countless events, from exclusive gatherings to public showings of a collection of fine art pieces. People who have interacted with Jubalo and attended any of his first-class events and exhibitions have made the remarks of him being “a magnificent artist and entrepreneur” and his coming back to Charleston being for the “betterment of all of our communities.” He plans to continue combining art, education, real estate development, and authentic leadership to transform communities with a commitment to making North Charleston a better place for all. However, Jubalo's work is not without its challenges. North Charleston is a city with a long history of poverty, violence, and crime. Nonetheless, Jubalo’s business acumen, connections, and confidence have allowed his vision for the city to become successful. Okeeba Jubalo @ 2023 TEDx Charleston “I have hundreds of years of blood in this soil. I did not come home to ask permission to be excellent; I am home. Okeeba Jubalo is nobody’s pet lion. This is not only about the arts, but this is about a new brand of leadership within the City of North Charleston. For our city to get unstuck, we need a creative and skilled leader who can see around the corners,” said Okeeba Jubalo . “What we have been able to accomplish within two short years is a very small version of what I have planned for the entire City of North Charleston. The ills of poverty and crime have been fueled by a lack of creative and loving leadership. I am here to serve my community and bring the best of myself to the forefront for our community. I am home now.” Jubalo has improved the quality of life in North Charleston by providing opportunities for people to learn about and experience art and the authenticity that Charleston offers not only to its residents but also to tourists. An intentional planner and thought leader, Jubalo is working on new real estate projects that will bring together the business, music, education, and fine art communities in North Charleston. As Okeeba Jubalo and his team move into Phase 4 of 10 of his “ Okeeba The Mayor ” campaign, the 2025 events will be held at numerous locations around North Charleston, featuring various activities, including art exhibits, music performances, wellness workshops, and business networking opportunities. “I get it. Experiencing me can be confusing and exhausting. I am relentless. Charleston and North Charleston are not accustomed to dealing with a brother like myself. These other institutions are helpful for pulling national and international eyes onto Charleston,” said Okeeba Jubalo. “Now, I will take their candlelight approaches and transfer it into electricity for the City of North Charleston. I am warmed up now.”

When Ja’nister Herring reflects on her life, she sums up her current chapter with a phrase that carries both triumph and grit: “Queen, you got this.” Her story is one of perseverance, clarity, and an unwavering commitment to using her gifts to uplift others. What brought her to Charleston was not just a professional opportunity; it was a calling. She accepted a major role with a global company, uprooting herself from familiar ground to build a new life in a city she had long admired. “I feel a relief that I made it through the storm and I can talk about it at this point,” Ja’nister shares. “Being vulnerable and telling my story has given me clarity. I know that my future is bright, and I am in control of my own narrative.” A Servant Leader at Heart For more than 25 years, Ja’nister has poured herself into board service and nonprofit work, beginning with organizations that supported at-risk girls. She speaks from lived experience, once standing in their shoes and now serving as a guide to remind them that a brighter path exists. “I was once an at-risk girl. With the support and guidance I had from others, I was able to reach the goals I dreamed of. Now, I can be that person for someone else.” That spirit of service has been consistent throughout her journey. Whether leading in boardrooms, mentoring in her community, or contributing to nonprofits, Ja’nister views herself as a tree—rooted, growing, and offering shade to others. “I want to be remembered as a servant leader. Someone who can get into the details, operate at a high level, but most importantly, someone who changes lives. I believe everyone deserves to thrive.” Lowcountry African American Giving Circle Faith, Resilience, and Never Giving Up Ja’nister does not shy away from her struggles. She recalls moments of hardship as a Black woman, a single parent, and someone navigating divorce. Times when life felt like a relentless uphill battle. “There was a time I wanted to give up,” she admits. “But with prayer and support, I realized my purpose was not finished. I knew I needed to stay. That’s why I throw myself into nonprofits because I know what it feels like to need help.” Her empathy runs deep, but so does her authenticity. “What you see is what you get,” she says. It’s this mix of vulnerability, faith, and action that continues to inspire those around her. Building Bridges in Business and Technology Beyond her nonprofit work, Ja’nister has built a remarkable career in technology, with over 30 years in the industry and 15 years specializing in project management and data analytics. Her company focuses on helping organizations operate more efficiently through data-driven decision-making. “I serve as a bridge between business and technology,” she explains. “Their languages are often different, but I help align them so they can work together to meet requirements and deliver real solutions.” Recently, she made a bold move by relocating her business to the City of Charleston's Entrepreneur Resource Center. The choice was intentional, anchoring her business in the heart of the community she serves. “We’re creating workshops to teach people about data and AI,” she says with pride. “This is about making knowledge accessible and preparing our community for the future.” Living the Legacy From her grandfather’s example of faith and giving to her own resilience in overcoming personal trials, Ja’nister embodies what it means to live a life of service, authenticity, and action. Her words leave no doubt about her mission: “Knowing that I can make a difference drives me every day. If people can tell stories about how I impacted their lives, and it brings them joy, that means I did what I was called to do.” In a city still shaping its identity, voices like Ja’nister Herring’s remind us that Charleston’s strength lies not only in its history but in the servant leaders who continue to plant seeds for a brighter, more inclusive future.

On a quiet morning in Park Circle, Okeeba Jubalo sat down with Susan Ash for Coffee with Okeeba to talk about an issue that continues to devastate families across South Carolina: domestic violence. Ash, a nonprofit leader and the driving force behind Liza’s Lifeline , has dedicated her career to building safety nets for survivors while working to change the systems that often fail them. The organization was founded in memory of Liza Warner, a young woman from Buffalo, New York, who was killed by her husband 20 years ago. “She was a hairdresser who got offered a job at Bumble and Bumble in New York City,” Ash explained. “Her spouse didn’t want to move… things got progressively worse. He eventually ripped the hinges off the door, killed her, and then killed himself. And here we are 20 years later.” For Ash, the story is not just history—it is the reason Liza’s Lifeline exists. “The core values are still there: safety, security. Everybody deserves a safe place to lay their head at night,” she said. Okeeba Jubalo & Susan Ash Meeting Daily Needs While Building Futures South Carolina consistently ranks among the top five states for domestic violence homicides. For survivors, the immediate challenges—shelter, transportation, financial stability—can make the difference between breaking free or staying trapped. “There’s the stopgap: the day-to-day needs of victims and survivors. And then there’s the long-term goal of getting them out of survival mode so they don’t return to their abuser,” Ash said. “The day-to-day and long-term go hand-in-hand.” One recent example illustrates this balance. Journalist Mandy Matney and her husband David Moses donated a car to Liza’s Lifeline. Ash and her team matched it with a mother of two. “It was an instant game changer,” Ash said. “It made her no longer reliant on anybody else. It gave her the freedom to move around the Tri-County area, especially in a place without good infrastructure for someone without a car.” Moving at the Speed of Trust Ash credits the nonprofit’s resilience to its culture of transparency. “Somebody told me this a couple of years ago: we’re moving at the speed of trust,” she said. “Our board and volunteers have beautiful lanes that they drive in, and when you combine them, it creates a beautiful nonprofit.” That trust extends to listening carefully to the community. “We think about the big things—affordable housing, infrastructure—but sometimes it’s as simple as a cell phone or a Ring camera,” Ash explained. “Things you and I take for granted can be critical to someone’s safety.” Advocacy Beyond Charity Liza’s Lifeline is not just providing emergency aid; it’s also pushing for legislative change. Ash co-authored House Bill 3569, a bipartisan effort that would allow domestic violence survivors to break leases without financial penalty or eviction records. “We are one of only eight states that doesn’t have that law,” Ash said. “There are rules for people with money and rules for people without. Sadly, our justice system reflects that divide.” To support its work, the nonprofit launched Liza’s Light , a jewelry line of gold, bronze, and silver charms that raise funds for direct services and advocacy. The proceeds help fuel everything from emergency financial aid to lobbying efforts at the State House. The Human Cost—and the Human Drive Running a nonprofit, Ash admits, isn’t easy. “It’s humbling. It’s not for the faint of heart,” she said. “It’s very hard when you’re funding it from the kitchen table. People don’t always understand that.” Yet her commitment remains unwavering: “I’ve been an activist and advocate my entire career. You follow your passion.” Ash will bring that passion to the Global Art Fai r in October, where she will serve as a panelist and showcase Liza’s Lifeline’s work. For her, every opportunity is another chance to build awareness and expand the lifeline for survivors who need it most. “Safety and security are human rights,” Ash emphasized. “That’s what keeps us going.” For more information or to support, visit lizaslifelinesc.org .

Johnny Clarkson & Okeeba Jubalo In an exciting milestone for the Lowcountry and beyond, two Black entrepreneurs are redefining the premium cigar experience with the launch of Lowcountry Cigars. Johnny Clarkson and Okeeba Jubalo have combined their expertise, passion, and vision to bring a brand that celebrates culture, luxury, and community. Johnny Clarkson, a true “Cigar-preneur,” has been a driving force in the boutique cigar industry for over a decade. From his formative journey to Nicaragua to launching more than 50 minority-owned brands, Clarkson consistently merges cultural immersion with entrepreneurial vision. Known for co-founding the region’s only cigar and BBQ festival in partnership with UpInSmoke Atlanta and Harley-Davidson, his work sets the standard for lifestyle branding and immersive experiences. Today, he continues to champion economic equity and representation in the industry, mentoring the next generation to ensure they become power players in the premium cigar space. “Collaborating with Okeeba to create Lowcountry Cigars has been one of the most fulfilling moments of my career,” Clarkson shares. “The entire process has been a deep dive into the rich history of Charleston. I’m proud of each blend and the stories they tell. Every aspect of this brand is bespoke, perfectly weaving together the elevated lifestyle experience of fine art, fine cuisine, and proper cigar pairings.” Joining him is Charleston native and North Charleston cultural icon Okeeba Jubalo, founder and executive creative director of NobleSol Art Group. Jubalo brings an appreciation for the art of living well, embracing the luxury, relaxation, and ritual that comes with smoking fine cigars. For him, Lowcountry Cigars represents more than flavor—it’s a lifestyle that honors culture, leisure, and community in equal measure. Okeeba Jubalo & Johnny Clarkson “This collaboration is a natural next step,” Jubalo explains. “As a pioneer in the arts and cultural industry, I’ve always respected what Johnny has accomplished in Atlanta and beyond. Together, we are creating three unique cigar blends that honor my Gullah and Lowcountry heritage. These cigars are a powerful celebration and a gateway into my world of fine art and culture.” Together, Clarkson and Jubalo are making history. Their collaboration underscores the importance of Black ownership in spaces historically dominated by others, while elevating the cigar experience in the Lowcountry with sophistication and cultural pride. Through immersive events, curated experiences, and expert craftsmanship, Lowcountry Cigars promises not just a product but a statement: these Black entrepreneurs are building their own table with matching seats, setting trends, and shaping the narrative of luxury lifestyle brands in the South. Stay tuned for upcoming events that highlight the artistry, culture, and lifestyle behind the Lowcountry Cigars. The brand will officially launch exclusively at the Global Art Fair on October 25.

On the spring morning of the Global Art Fair soft launch, business mogul and nationally- acclaimed cultural engineer Okeeba Jubalo prepares for his expertly curated event in his hometown of North Charleston, South Carolina. At 9 a.m., Okeeba Jubalo, his brow glistening with sweat, moved swiftly through the newly renovated Park Circle building. Inside, the towering glass windows, stretching more than twelve feet high, seemed no match for the giant in the room. With a freshly shaved head, salt and pepper goatee, Breitling wristwatch, and Tom Ford glasses perched on his head, Okeeba appeared both fashionable and approachable as he began to unpack his tools: hammer, nails, special construction tape, and an electric drilling machine. Leaning into the walls he had crafted by hand, he started installing the artwork. Turning his head slightly toward me, he said, “Let’s make sure we stick to the run of show. Time is everything.” Effortlessly working his magic, Okeeba maneuvered his mobile art walls across the event space, meticulously arranging them to showcase the fine art for the guests. Another man entered the room, sporting locs, a crisp black t-shirt, and shorts: Johnny Clarkson, Okeeba's right-hand man and the Executive Digital Director of NobleSol Art Group. A brotherly spirit connected the two men, their teamwork reminiscent of Batman and Superman at their best. NobleSol Art Group, Okeeba’s marketing and branding agency, powers the Okeeba Jubalo Fine Art Gallery operating in North Charleston, South Carolina, and Atlanta, Georgia, with a diverse clientele spanning the west to east coast. Marketing is Okeeba’s forte, and tonight they expected a crowd of over 300 guests. NobleSol Art Group's robust marketing campaigns attracted people from across the nation. Other occupants of the building included staff from North Charleston’s Office of Cultural Affairs and several passersby, strolling through the building and heading outside to the playground area, all in awe of the ongoing transformation of the room. The event's name alone sparked excitement—The Global Art Fair. However, as people stopped to watch Okeeba and Johnny at work, their curiosity grew even more. They poked their heads into the event space, eager to stop and speak with Okeeba. Following a strict schedule, Okeeba and Johnny continued setting up a grand stage for the evening's guests—ambassadors, influencers, art collectors, politicians, education and community board members, and local residents. Many noticed the transformation of the space and asked questions about the event scheduled to start in just a few hours. Dr. Edward Garnes, founder of Afros to Shelltoes, entered the room to view the pieces on display. A therapist, educator, and close friend of Okeeba’s, Dr. Garnes had a keen eye for details. He remarked to Okeeba, “The Global Art Fair truly challenges the outdated models prevalent in the art world by creating opportunities that empower artists and allow visionaries to thrive from their cultural productions.” He continued, “The Global Art Fair is like sweet tea on a hot summer day. It comforts the soul and warms the heart.” This description seemed to perfectly capture the essence of the Global Art Fair being hosted in North Charleston. This wasn't my first time witnessing Okeeba create a magical evening with (literally) his bare hands. He has done it time and time again: The Atlanta Fine Art Exhibition, Excellence 365, Art to Heart—the list goes on. Atlanta’s cultural pioneer and champion is now on his own turf, like Superman returning to Krypton. North Charleston is Okeeba’s home. As the morning turned into afternoon, I ensured we stayed on schedule, marking off tasks as they were completed. As Okeeba’s Executive Assistant—his eyes and ears—my job was to make sure he worked unencumbered as he transformed the event space into a high-scale fine art gallery with soul-stirring pieces adorning the walls in anticipation of their new home. By 12 p.m., Okeeba, Johnny, and I were wrapping up our morning tasks: installing art pieces, setting up the red carpet, checking the rooms for proper technology, coordinating with the caterers, sharing the shot list with photographers, and talking with featured artists. By 1 p.m., we headed to our base in Park Circle to meet with the rest of the NobleSol Art Group team members. By 4 p.m., we returned to the event, dressed impeccably as if we had never lifted a finger to prepare for the highly anticipated evening ahead. VIP guests began trickling into the building by 5 p.m., heading first to the shrimp cocktail table. The sommelier greeted the VIPs at the wine station with fine selections of red and white wines. Among the special guests were Zandrina Dunning, Founder of The ZD Experience and Radio Show Host at Ohm Radio 96.3; Craig Ascue, Owner and Operator of Ascue's Auto Body & Paint Shop; and Sandy Morckel, President of Solutions for the Greater Good and Production Chair at TEDxCharleston. Guests moved around the event space to the film suites, bobbing their heads to the soulful tracks of DJ Kimani, who played music spanning from neo-soul to jazz. An exceptionally experienced DJ, he read the crowd well, adjusting the music to match the vibe. As everyone took their seats, Johnny, dressed in a bespoke teal green suit with a black collared shirt and a striking Hollywood smile, directed the crowd's attention to the stage. It was time to hand the mic to the man of the evening: Okeeba Jubalo. The instrumental of “Power” by Kanye West played subtly as a woman’s voice began speaking about the meaning of Okeeba’s name: a warrior. That voice belonged to Angie Brown, Okeeba Jubalo’s mother. As the music faded, the man of the evening walked onto the stage. Okeeba took the stage at 6 p.m. sharp. Wearing a rose-pink polo, soft grey linen slacks, gold eyewear, a chunky wristwatch, brown loafers, and his signature smile, he immediately captivated the audience. If I hadn’t been there myself, I might not have believed that this one man, with the help of a small team, had transformed the space we were standing in into an upscale galleria. Okeeba began his speech by thanking everyone for attending the soft launch of the Global Art Fair. His humility and confidence made many of the smiling faces gleam from one side of the room to the other. People saw Okeeba as their brother, uncle, father, son, and everything in between that they hoped to see in their community, standing in the flesh. Okeeba belongs to them, and they belong to Okeeba. With a deep and powerful voice, Okeeba spoke about his journey back to his hometown of North Charleston. “It’s been a long road for the past two years,” Okeeba said. “I moved back to Charleston, but I grew up here in North Charleston. I’ve been gone for about thirty years, Atlanta and beyond. Doing my thing in the arts and cultural programming. And I’m home now. This is my home, home. I’m glad to share our gifts here. We are just getting started.” The audience looked in awe at the intellectually and emotionally honest giant standing center stage, pouring his heart, soul, and God-given abilities into creating an enriching space for the families, adults, and youth of his beloved community. A multi-dimensional artist himself, Okeeba shifted the focus back to the evening's purpose—the arts. “This is the soft launch of the Global Art Fair. How many of you are familiar with Art Basel in Miami? Now, imagine if we had something of that magnitude here in North Charleston,” he said with a serious and focused tone. “Can y’all imagine that? I can. More than having to imagine it, I can execute it. We will execute it together.” A carefully curated group of artists from across the nation displayed their work with the enthusiasm of being under the tutelage of the Okeeba Fine Art Gallery. As the premiere African American fine art gallery of the South, art collectors fawned over the pieces while also having a chance to speak with the artists themselves. Among those discussing their inspirations were Patricia Coleman Cobb and Tee Roy from Atlanta, Terry Powell and Christine D. Johnson from South Carolina, and Veronica Mays from Rhode Island. At 7 p.m., the poetry slam began with three finalists competing for the $500 grand prize. Stephanie Hale was the first to take the stage, immediately captivating the audience with her powerful vocals and heartfelt poem. Applause echoed through the crowd as the next poet walked on. Brittany Porcher performed her poem with both her voice and body, moving as art and entrancing the audience. The final performer, Zachery Williams Matthews, delivered his poem with such passion that the audience rose to their feet. After Zachary, the energy shifted as Georgia Nubia, the featured performer, took the stage. A master of crowd control, she drew the audience into her poems as if they had helped her write the words. She received a standing ovation, showcasing Black excellence at its finest. Meanwhile, Veronica Mays, a featured artist at the Global Art Fair, casually spoke to a small crowd captivated by her artwork. She shared her thoughts on the event, saying, “It is a blessing to see my work displayed alongside so many fine artists and to have had the opportunity to read one of my new poems from my soon-to-be-released book of poetry. I’m very fortunate to be included in Okeeba’s gallery and look forward to our continued relationship! The Lowcountry will be that much richer with the addition of this art collection.” The evening shifted as people began voting for their favorite poet and simultaneously moved to other suites. These suites featured various art disciplines to pique the interest of those who enjoy visual and other mentally stimulating creations. Guests mingled and explored different parts of the building, connecting with others who shared their creative interests. “Artists love the opportunity to showcase their work, but more importantly, they appreciate presenting their creations to an audience genuinely interested in potential purchases," said Zandrina Dunning, cultural influencer and avid supporter of The Okeeba Jubalo Fine Art Gallery. “North Charleston, with its vibrant and artsy atmosphere, is perfectly positioned to receive and celebrate what art has to offer, particularly Black art. The city’s diversity and cultural richness make it an ideal backdrop for such an inclusive and dynamic event.” The film suite featured independent films such as “A Tree Story: Gullah/Geechee Roots and Resilience” by Jessica Marcy and produced by Tony Bell, “A Long Way Home,” a docuseries about the life of Okeeba Jubalo powered by NobleSol Art Group, and “Sisters and the Shrink,” a film by serial entrepreneur Hazel Simpson. A Q&A panel with the filmmakers followed the screenings. As guests mingled and discussed the films, one attendee expressed her enthusiasm. “It’s such a pleasure being at the Global Art Fair. I believe the Global Art Fair will bring so much change for the Lowcountry,” said Tamara McGill-Scott. “Change that will bring people of all cultures together, promote local small businesses, and breathe new life into the surrounding communities.” Lines formed at the door as people packed the suite wall to wall, eager to learn from cigar aficionado Johnny Clarkson. As he began his class, he introduced himself and said, “Beginners are the ideal guests for the Art of Cigars. Learning proper cigar etiquette before you start ensures a more pleasant experience. It also increases the chances that someone will introduce someone else to this incredible lifestyle.” At 7:30 p.m., DJ Kimani announced the GullahSippi food tasting by Angie Brown and Okeeba Jubalo’s Hearts & Hands Catering Company. The lines wrapped all the way down the lobby. Kyle Lahm, Director of North Charleston’s Cultural Arts Department, and Ann Simmons, Deputy Director, commented on the impressive turnout—not only for the exquisite culinary delights but also for the soft launch event. Anticipation was building as guests readily waited in line for a small bite of barbecue pulled chicken, collard greens, and baked macaroni and cheese. As everyone slowly moved through the line, one guest chatted with me and a few other women, expressing her love for art and the cultural influence Okeeba is bringing to Charleston. “The Global Art Fair is culturally welcoming, with each piece of art possessing its own unique and thought-provoking charm that draws you in! Moreover, the Global Art Fair promotes community engagement, pride, and social cohesion throughout the Lowcountry,” said Sierra Singletary. “Okeeba is highlighting our local heritage and shared experiences while simultaneously strengthening our sense of identity and belonging.” The guests were walking with eagerness to the final immersive activity: the first live recording of the Roses and Brass Knuckles podcast. Hosts Zachary Davis and Okeeba Jubalo discussed the nature of emotional honesty as Black men. The crowd cheered just upon hearing the title, “What Do Men Really Want?” This was a conversation for grown folks, and we hung on to every word from the relationship realists. Finally, at 9:30 p.m., the doors closed for the evening. The last guests left with smiles on their faces, complimenting Okeeba and the NobleSol Art Group team on the wonderful evening they had just experienced. As the final guest departed, Okeeba took a deep breath, turned to me, and said, “If they’re all excited about the soft launch, they are in for a treat in October.” I thought to myself, Superman is home.

North Charleston, South Carolina, is known for a number of things. African-American Art, culture, and refinement are often not included on that list for a myriad of reasons. Over the last two years, that has all changed. On the crisp afternoon of February 10, 2024, a beautiful residence owned by Vee and Darrin Goss, Sr., within Coosaw Creek in North Charleston, South Carolina, was transformed into a haven of artistic splendor as it hosted a private fine art exhibition. Curated by the esteemed Okeeba Jubalo and Renee Fleuranges-Valdes, the exhibition promised an exclusive showcase of remarkable talent, drawing in a select group of art enthusiasts and VIP guests “Excellence 365: The Residential Tour proved to be a great success in so many ways. We are changing the dynamic of how people engage with art, moving it from the gallery and into a home, amongst friends and like-minded people,” said Fleuranges-Valdes, guest co-curator of Excellence 365 and owner of Quilted Artistry by Renee. “The array of styles and mediums was so varied that guests didn’t have to go from gallery to gallery to find art that clicked with them.” At the heart of the evening were the featured artists, whose diverse styles and captivating pieces set the stage for an unforgettable experience. Among them, luminaries like Jerushia Graham, Vando Davis, Tosh Fomby, Christine Johnson, Veronica Mays, Damon Mescudi, Dante Yarbrough, Thom Bess, Darrien West, Patricia Coleman-Cobb, Michael Johnson, Stu Stewart, Tony Bell and several other powerhouse artists brought forth their visions, each canvas telling a unique story, each sculpture, a testament to creativity unleashed. The careful curation of the exhibition revealed a dedication to both the art and its audience. Jubalo and Fleuranges-Valdes, renowned for their discerning eye and passion for cultural innovation, ensured that every piece found its perfect place. From the spacious living room and throughout the dining area and beyond, each setting provided a canvas for artistic dialogue and exploration. “Being amongst friends encouraged discussions on the value of diversification of one’s portfolio by collecting art,” said Fleuranges-Valdes. “It was a definite paradigm shift for those just beginning their art [collection] journey.” Beyond ornamental value, this event underscored how fine art, when placed in the context of daily life, morphs into a tapestry of shared human experiences. The well-orchestrated placement of each piece highlighted the intricacies culminating in a grander narrative for the homeowners, Darrin Goss Sr. and Vee Goss. “It was a pleasure hosting this event and supporting artists from around the Southeast,” said President and CEO at Coastal Community Foundation Darrin Goss Sr. “We had a fantastic time spending time with our friends and the artists,” said Vee Goss. “The artwork displayed exemplified the great power to transform, ignite, enlighten, inspire, and motivate. What a great model!” For the Coosaw Creek residents and the VIP guests in attendance, the exhibition was more than a showcase — the guest list was carefully curated to enhance the experience, which was crafted with care and consideration. From the moment they entered the foyer, guests were enveloped in an atmosphere of African-American sophistication and refinement, where every detail, from the lighting to the arrangement of artworks, spoke to a commitment to excellence. "The opportunity to gather creatives, business and nonprofit leaders, and community advocates, while highlighting fine art and our collective community in Darrin and Vee Goss's beautiful home was inspiring! Okeeba has a special skill in bringing together people from across different sectors with the long-term intention of creating a brighter future for his hometown,” Sandy Morckel, President at Solutions for the Greater Good and Production Chair at TEDxCharleston. “It is an exciting time for North Charleston!" As the night unfolded, conversations flowed freely, mingling with the soft strains of Miles Davis and John Coltrane while the guests nibbled on an array of beautifully prepared bites. Amidst the buzz of excitement, connections were forged, perspectives challenged, and inspiration ignited—a testament to the transformative power of art in all its forms. “We are raising the bar with each authentic and self-funded experience, and over the last two years, we have spearheaded this renaissance to be a reflection of what is to come in the near future. I am building upon our efforts to rebrand our city. This was the start of something very special in North Charleston. All really impactful cultural movements began within the fertile soils of the shadows provided by America’s culturally exclusive institutions, which tend to not recognize our budding champions,” said Okeeba Jubalo, founder and curator of Excellence 365: The Residential Tour, owner of the Okeeba Jubalo Gallery and Executive Creative Director at NobleSol Art Group. “I originally created Excellence 365 in 2023, and my team launched this powerful mobile artistic testament at Neiman Marcus, within Lenox Mall, which is in Atlanta, Georgia. Pulling lessons from the Harlem Renaissance of the 1920s and the Black Arts Movement (BAM) from the 1960s, while taking my decades of executive-level experience and working this soil with our bare hands to grow what is needed, is the only way. This touring exhibition will till the soil and prepare it for the next level of seeds, which will blossom into the new North Charleston,” Jubalo continued. “The greatest challenge within Charleston is that we do not own our black institutions, nor do we fund them. This is where the road splits. This initiative was created, funded, and led by someone with a national skillset and a global view, who is actually a son of Charleston and was raised in North Charleston, while being supported by my people across the lowcountry and beyond. I am a different animal,” said Jubalo. “The future of our cultural experiences must be mobile, sleek, fast, and powerful. Excellence 365 will become a quarterly national tour, I am looking forward to partnering with others who are like-minded to bring this movement within their homes and cities.” For Jubalo and Fleuranges-Valdes, the success of the evening lay not only in the accolades and admiration garnered by the artists but in the moments of shared wonder and discovery that reverberated throughout the Goss home. As the last guests bid farewell to the exhibition, they carried with them not just memories of a remarkable event but a renewed appreciation for fine art, the importance of collecting one-of-one pieces, and the collective strength of reviving the cultural authenticity throughout North Charleston. Those fortunate enough to have experienced Excellence 365: The Residential Tour are reminded that the journey has only just begun. As anticipation mounts and excitement builds, one thing remains certain: Okeeba Jubalo continues to draw everyone across the Southeast region closer to the infinite cultural and artistic possibilities that lie ahead for the City of North Charleston.

In the realm of art, where creativity knows no bounds, there emerges a visionary whose medium of expression transcends conventional boundaries. Founder and Owner of Quilted Artistry by Renée, Renée Fleuranges-Valdes has woven her artistic tapestry using fabric as her medium, transforming the mundane into the extraordinary. With a passion for quilting that extends far beyond the stitching needle, Fleuranges-Valdes not only crafts stunning quilts but also travels the globe, sharing her artistry and empowering others to embark on their creative journey. Fleuranges-Valdes is not just an artist; she is a storyteller who uses fabric as her language. Each quilt she creates is a narrative, a fusion of colors, textures, and patterns that convey emotions and experiences. Her work celebrates cultural diversity, with each piece reflecting the rich tapestry of life she encounters in her global travels. Through her quilts, Fleuranges-Valdes bridges the gaps between different cultures, creating a universal language that speaks to the shared human experience. “When people look at my art, the hope is that the viewer will relate to the story being told. However, I do so much more than create art,” said Fleuranges-Valdes. “I write for an international quilting magazine, I teach art quilting around the world, and I give lectures on many different aspects of quilting as well as how it has helped me find myself. Being an artist allows me to share the best parts of me.” What sets Fleuranges-Valdes apart is not only her artistic prowess but also her entrepreneurial spirit. She has turned her passion into a thriving business, traveling from one corner of the world to another, showcasing and selling her quilts. Recently, she collaborated with Cultural Curator and Executive Creative Director Okeeba Jubalo to showcase her art hosted at the Cooksaw Creek Country Club. “Working with Renée has been a pleasure. Her corporate background has made our working relationship thrive. Too often, our creatives are long on creating and short on business. Her level of detail and precision is very helpful,” said Jubalo. “Charleston needs a new champion and leader for the fiber arts, and our team is honored to help position Renée to be who she is, just on a larger and more visible scale.” Fleuranges-Valdes transforms her art into a global phenomenon, proving creativity knows no borders. Her quilts are not just objects but ambassadors of cultural exchange, fostering connections between people from diverse backgrounds. Fleuranges-Valdes has a clear vision for her blossoming business, Quilted Artistry by Renée. Beyond creating exquisite quilts, Fleuranges-Valdes is committed to nurturing the next generation of artists. She has become a teacher on the road, conducting workshops and sharing her skills with enthusiasts eager to embark on their creative journey. Her classes are not just about quilting techniques; they are a celebration of self-expression and individuality. Through her guidance, Fleuranges-Valdes empowers her students to discover their unique artistic voice, fostering a community of passionate individuals united by a love for fabric and creativity. She holds true to her brand tagline of “coloring your life” one student at a time. “I hope to build a partnership with a youth-based art initiative to use fiber art to teach not only math but the value of self-worth and self-expression. I am looking forward to the continued growth of my business in Charleston,” said Fleuranges-Valdes. “I am hoping to partner with interior designers, curating homes with a vision for their clients; with galleries, such as the Okeeba Jubalo Fine Art Gallery, to showcase my one-of-a-kind creations; with museums to use my art to bring a spotlight on how far we have come, and how much we have to give as people of color. With its diverse cultures and rich history, Charleston is the perfect marketplace for my business.” In a world often dominated by fast-paced digital trends, Fleuranges-Valdes is a testament to the enduring allure of handmade artistry. Her quilts are a refreshing reminder of the tactile and tangible beauty that can be created with simple materials and a profound imagination. In an age where mass production often overshadows the individual touch, Fleuranges-Valdes' work is a tribute to the value of craftsmanship and the human touch in art. “2024 is going to provide a major jump for Renée and our partnership opportunities,” said Jubalo. “As an executive creative director and cultural curator, I have nearly thirty years of experience. At this end of the process, Renée is ready.” As we witness the global impact of Renée Fleuranges-Valdes, we are reminded that art is a powerful force that transcends boundaries, connecting people across continents. Her quilts decorate spaces and weave a narrative of unity, resilience, and the shared human experience. Fleuranges-Valdes, the artist-entrepreneur, has not just created a brand; she has cultivated a movement that celebrates the beauty of diversity, the joy of creation, and the everlasting power of art to stitch the world together.

In the heart of Charleston, South Carolina, Ericka Parker stands as a beacon of empowerment and educational innovation. As the Director of Education and Enrichment at the Carolina Youth Development Center (CYDC), she has dedicated her life to supporting youth academically and nurturing their growth as they transition into adulthood. Simultaneously, as the Co-founder and COO of B.E. ConnectED Educational Services and the TeacHER Empowerment Network, Ericka has been instrumental in creating safe spaces and immersive learning experiences for youth, particularly Black and brown girls. Originally hailing from Sumter, South Carolina, Ericka's journey to Charleston began with her pursuit of education at the College of Charleston. While studying to obtain her degree, she discovered her passion for working with youth through an after-school program. Enamored by Charleston's rich culture and sense of community, she made the city her home and embarked on a mission to make a difference in the lives of its residents and youth. Ericka's entrepreneurial spirit took flight three years ago when she co-founded B.E. ConnectED Educational Services with her colleague, Bridgette Hickman. Their venture stemmed from a shared vision of revolutionizing education by providing immersive learning experiences that bridge the gap between academia and real-world application. Witnessing the transformative impact of their programs firsthand, Ericka and Bridgette recognized the profound potential for positive change within communities. “We started the business to engage with educators, students, parents, schools, and communities differently. We weren't seeing the type of learning experiences we knew would make a difference for students, their families, and teachers,” said Ericka Parker. “We wanted to flex our creative muscles. Working in a district can stifle you if you are not supported. We started our girl's group because we saw the impact of having a safe space to be creative, nurtured, and embraced for who you are.” The inception of the TeacHER Empowerment Network further solidified Ericka's commitment to fostering safe spaces and empowering young girls. For eight years, the network has served as a pillar of support, offering wellness initiatives, awareness campaigns, volunteer opportunities, and educational experiences tailored to the needs of Black and brown girls. Through these initiatives, Ericka aims to cultivate a generation of empowered leaders who are equipped to navigate life's challenges with confidence and resilience. What sets Ericka's businesses apart from competitors is their unwavering commitment to serving the community they call home. Rooted in Charleston for over two decades, Ericka and her team understand the unique challenges and opportunities facing the city's youth. Their programs are transformative and deeply rooted in cultural relevance and community engagement. “So much of our work is rooted here in Charleston. We have taught and lived in the Charleston community for over 20 years. We know that in order for progress to be made and for the achievement gap to be closed, we have to teach differently,” said Ericka Parker. “The girls in our empowerment group have been with us since they were 8 and 9; now they are 16! We are dedicated to their growth and success and seeing other girls succeed.” Central to Ericka's mission is the belief that education should extend beyond the confines of traditional classrooms. Her innovative approach to learning emphasizes experiential education, community engagement, and cultural relevance. By infusing creativity and passion into every endeavor, Ericka and her team have distinguished themselves as pioneers in the field of education. One of the proudest moments in Ericka's career came when she was awarded Teacher of the Year twice—a testament to her unwavering dedication to her students and the community. Reflecting on her journey, she fondly recalls the inaugural immersive learning experience she orchestrated with Bridgette, a milestone that ignited their shared vision and set the stage for future endeavors. “No one does what we do! Our signature programs transform the lives of students and teachers. We are a Black women-owned company serving our community,” said Ericka Parker. “A community where we live and work in. We are hands-on and dedicated to our mission and vision.” Ericka envisions a future where education transcends boundaries and empowers students to reach their full potential. Her ambitious plans include the establishment of a micro-school—a hub of innovation and inspiration that nurtures the holistic development of every child. By forging strategic partnerships and leveraging community support, Ericka hopes to turn this vision into reality, ensuring that future generations have access to transformative educational experiences. In her collaboration with Okeeba and his team, Ericka has found kindred spirits who share her passion for community upliftment. Together, they are working tirelessly to spearhead projects that will enrich the lives of students and residents alike. Their budding partnership embodies the spirit of collaboration and collective empowerment—a testament to the transformative power of unity and how an entire community can benefit from two great minds with a shared vision. “I am looking forward to working with Ericka and her amazing team. They are great assets to our city and they understands the assignment. We are enough and together we can accomplish anything. My team will add gas to their flame.” said Okeeba Jubalo. As Ericka Parker continues to champion the cause of education and empowerment, her impact reverberates far beyond the borders of Charleston. Through her unwavering dedication and visionary leadership, she serves as a beacon of hope and inspiration, illuminating the path toward a brighter future for future generations.

Within the vibrant corners of the Lowcountry, where history whispers through the moss-laden branches of ancient oak trees, filmmaker Jessica Marcy and producer Tony Bell have artfully woven a narrative that transcends time and connects cultures. The cinematic tale, “A Tree Story: Gullah/Geechee Roots and Resilience,” explores the profound connections between the Gullah Geechee culture, West Africa, and the United States, all through the lens of the majestic Angel Oak tree. The seasoned filmmaker Marcy, whose decades of experience have led her to create this needed story for our communities. Marcy was drawn to the majestic trees that stand as silent witnesses to the Gullah Geechee culture. In the lush landscapes of the Charleston area, where the Gullah Geechee community thrives, she discovered more than just a backdrop; she found a symbol of resilience, a metaphorical embodiment of a culture deeply rooted in history and tradition. Her journey to creating the film started with a spark to pursue an environmental film. “During a trip to Tybee Island in coastal Georgia in the summer of 2020, I started to think more about the Gullah Geechee and the connections between West Africa and the United States,” said Marcy. “I have watched films like Julie Dash’s “Daughters of the Dust,” which tells the story of a Gullah Geechee family’s decision of whether to move north and away from their rich Gullah heritage on the Sea Islands. I was eager to delve deeper and learn more about the culture and history.” The essence of “A Tree Story” lies not only in the breathtaking visuals and cinematic prowess but also in Marcy’s conscious choice to address the pressing issues faced by the Gullah Geechee community. Coastal development, sea-level rise, and flooding, consequences of the looming threat of climate change, have led to displacement and environmental degradation. Through her camera lens, Marcy artfully captures the struggle for survival and the indomitable spirit of a people determined to preserve their roots. This compelling film, a labor of love by Marcy and Bell, has garnered well-deserved recognition, making waves in prestigious film festivals worldwide. From the iconic Le Festival International du Film Pan Africain de Cannes in France to the enchanting WaterDocs Film Festival in Toronto and the thought-provoking Atlanta Fine Art Exhibition, “A Tree Story” has left an indelible mark on audiences across the globe. However, Marcy’s commitment goes beyond capturing compelling visuals. In a landscape often tainted by the pitfalls of extractive storytelling, she recognized the need for an authentic narrative that respects and preserves the Gullah Geechee culture. Having witnessed the historical intrusion of outsiders into the Charleston area, she was determined to break the cycle of exploitative storytelling. Crucial to her mission was the choice of a producer who not only possessed filmmaking expertise but also shared a profound connection to the Charleston area. Enter a son of Charleston, a beaming example of authenticity and warmth, Tony Bell, a gifted filmmaker whose passion for the culture and history of the Lowcountry was as deep as the roots of the ancient trees that grace the landscape. “In approaching the story, I was very aware of the deep history of outsiders coming to the area and doing extractive storytelling,” said Marcy. “It was important for me to partner with a filmmaker from the Charleston area, and I’m grateful to have partnered with Tony Bell, a wonderful filmmaker from Charleston who is deeply committed and knowledgeable about the culture and history in the Lowcountry.” The collaboration between Marcy and Bell proved to be a harmonious convergence of talent and commitment. Together, they embarked on a cinematic journey that documented the challenges faced by the Gullah Geechee community and celebrated their enduring spirit. Through meticulous research and a shared understanding of the local culture, the duo ensured that “A Tree Story” became a vessel for genuine storytelling rather than a hasty vehicle for exploitation. “Like all great things, fate led me to co-produce “A Tree Story.” Jessica Marcy, the brilliant mind who conceived this project, was looking for a DP (Director of Photography),” said Bell. “We met, shot all the principal photography, and ultimately decided to work together on this project as co-producers—wearing all the hats needed to complete a film.” In an era where filmmakers often prioritize entertainment over substance, this collaborative effort stands as a testament to the power of cinema as a tool for social change. “A Tree Story: Gullah/Geechee Roots and Resilience” is not just a film; it is a legacy, a timeless ode to a culture fighting against the tide of change. As we immerse ourselves in the captivating narrative woven by Marcy and Bell with decades of experience, we are reminded of the transformative potential of filmmaking. Through the lens of their cameras, the trees become witnesses to history, and stories echo in the hearts of those who watch. The Angel Oak tree fosters a deeper understanding of the Gullah Geechee culture and inspires a collective commitment to preserving their roots and embracing resilience in the face of adversity. The film not only educates but also captivates, leaving viewers with a profound appreciation for the resilience of a community that has weathered the storms of history. In a world where cultural preservation is more crucial than ever, “A Tree Story: Gullah/Geechee Roots and Resilience” is a testament to storytelling's power and the enduring strength of communities bound by shared history. Marcy and Bell not only crafted a visually stunning and emotionally resonant film but has also opened a door to a lesser-known chapter of American history that deserves to be celebrated and remembered. As the film continues to make waves across the national and international stages, Marcy and Bell can take pride in the fact that their work has not only entertained but also enlightened and enriched the lives of those fortunate enough to experience the magic of “A Tree Story.”