The prestigious annual exhibit, Atlanta Fine Art Exhibition, kicks off the new year with its seventh installment at the Aviation Community Cultural Center starting on January 28 from 6:00 p.m. to 9:00 p.m. The exhibition is in partnership with Fulton County and is curated by Okeeba Jubalo Okeeba Jubalo is the founder and curator of the Atlanta Fine Art Exhibition. He also heads his own gallery, Okeeba Jubalo Fine Art Gallery, in North Charleston, South Carolina. As a multi-disciplinary artist and gallery owner, he recognizes why exhibits of this magnitude can galvanize people to respect and pay attention to artists. "As a multidisciplinary artist, I understand every side of this Black art equation. Everything is about math and engineering,” said Jubalo. “The Atlanta Fine Art Exhibition is part of the math equation needed to solve the problem of a highly dysfunctional Black arts scene. The issue isn’t just in Atlanta or Charleston; this is a national equation of dysfunction I am solving for." The Atlanta Fine Art Exhibition is the most culturally explosive event to support Atlanta's artists consistently. Always known to bring an elite crowd, the attendees can expect the crème de la crème of guests from politicians, community leaders, and business owners. The primary hosting location is Atlanta, Georgia, but the exhibition has traveled nationwide to showcase artwork for prospective buyers and art lovers. Since the first installment in 2009, the Atlanta Fine Art Exhibition has traveled to cities like Las Vegas and Washington, DC. In addition, last year’s exhibit was hosted in Charleston, South Carolina. Art is a multi-dimensional industry that can be hard to grasp for an individual that isn’t privy to the art world. The Atlanta Fine Art Exhibition is the true guide for many artists, art collectors, and art enthusiasts. "Artists trust me because they know I am one of them and have a number of different features and skills that most do not have,” said Jubalo. “When I am within these spaces, I have a dozen different executive-level skill sets that I can apply to our movement." The Atlanta Fine Art Exhibition has helped artists become household names and allowed art collectors to have first dibs on purchasing the hottest artworks on the market. Many art connoisseurs anticipate the annually-held Atlanta Fine Art Exhibition so they can soak in all the beauty the art world has to offer. The collection includes 44 incredibly talented artists. Some featured artists include Miya Bailey, Jerushia Graham, Michael Johnson, Sandy Teepen, Dane Brown, Hopeton Hibbert, and many others. Dane Brown (#ATLANTAFAE featured artist ) “My experience with the Okeeba Jubalo Fine Art Gallery and Atlanta Fine Art Exhibition has been incredible. His dedication to uplifting the artist as he restructures the art world shows and is something I cherish as an artist.” Dane Brown said about working with Okeeba Jubalo and being a featured artist in this year’s exhibit. Michael Johnson (#ATLANTAFAE featured artist ) “It's exciting being part of an event that highlights "our" art. Far too often, we seek a seat at the table instead of creating our own table." Michael Johnson said regarding the Atlanta Fine Art Exhibition featuring numerous talented Black artists. Art galleries and exhibits are the heartbeats of the art industry. For many Black artists, it's critical to work with a gallery where they are being seen and heard—especially by a gallery with a track record for propelling an artist's career. The Atlanta Fine Art Exhibition continues to be the bridge for artists to gain visibility and sell their artwork for profit. “This business of Black fine art is complicated, and it was important for me to create a premium platform for our artists. It is a very complicated cycle between Black artists, Black gallerists, and Black art collectors,” said Jubalo. “All three are in a constant state of working against each other. My goal is to create a space where we can work together as a unit that raises the experience and profits for all parties.” The attendees of this exclusive, RSVP-only event will have the opportunity to see up-close-and-personal the evolution of art and its impact on modern culture. This exhibit will also allow contemporary audiences to access relevant and contextualized art. Okeeba Jubalo at the 2023 Atlanta Exhibition

For many young people, art begins as a form of self-expression—a way to explore ideas, emotions, and imagination. Through NobleSol Art Group’s signature youth development initiative, Art to HeART, students discover that creativity can become much more: a source of confidence, leadership, and opportunity. Founded by Executive Creative Director Okeeba Jubalo, Art to HeART was created to help young people see themselves not only as artists, but as innovators, entrepreneurs, and storytellers. The program combines visual arts education with mentorship and entrepreneurship, helping students understand that creativity is a skill that can shape their future. “Our instructional model is grounded in the reality of becoming a successful, highly functional creative professional,” said Okeeba Jubalo, Founder & Executive Creative Director of NobleSol Art Group. “We pair theory with practical, repetitious practice within a nurturing environment driven by focus and accountability. I look forward to building a strong partnership with Kids On Point as we apply my three decades of experience as an arts leader to establishing the Lowcountry as a creative powerhouse.” This summer, NobleSol Art Group partnered with Kids On Point, a Charleston-based nonprofit dedicated to empowering youth through education, mentorship, athletics, and life skills development, to bring Art to HeART to middle school students. The collaboration provided students with an immersive creative experience designed to encourage self-expression, critical thinking, and personal growth. KOP students focused on their work in a bright classroom adorned with colorful artwork. Building a Bridge Between Creativity and Opportunity The partnership was sparked through the efforts of Craig Ascue, a business owner, community development advocate, and former Charleston County School Board member, who recognized the shared commitment between NobleSol Art Group and Kids On Point. Ascue has long believed that meaningful youth development extends beyond traditional classrooms. Through his experiences growing up in the East Cooper area, serving his community, and working with education leaders, he saw the value of creating opportunities where young people could discover their talents and build confidence. “I made the introduction because I believed each organization could strengthen the other’s impact on young people in our community,” Ascue said. “Kids On Point creates environments where children can grow. Okeeba creates opportunities for young people to see themselves differently through creativity. When those two missions come together, students gain more than an art lesson. They gain another language to express their ideas, emotions, dreams, and identity.” For Ascue, the connection represented the power of community leaders working together to create access and opportunity for young people. “My role was simply to help two outstanding organizations find one another,” he said. “The impact belongs to the students whose lives are enriched because of that collaboration.” A KOP student focuses through the lens of a camera during a narrative creation lesson, capturing moments in a classroom filled with attentive peers. Beyond the Canvas: The Vision Behind Art to HeART Art to HeART was designed to move beyond traditional art instruction. While students explored foundational concepts such as color theory, composition, and visual storytelling, they also learned how to develop ideas, communicate their vision, manage creative projects, and present their work professionally. Through each lesson, students were encouraged to trust their creativity and recognize the value of their perspectives. The program reinforced an important message: creativity is not simply something students practice—it is something they can build upon. A key component of Art to HeART is introducing students to the business side of creativity. By learning how artists develop concepts, meet deadlines, and share their work with others, participants gained insight into the creative economy and began to understand how artistic skills can translate into future opportunities. Tenise Holloway, Summer Site Coordinator for Kids On Point For Tenise Holloway, Summer Site Coordinator for Kids On Point, that connection between creativity and opportunity was an important part of the partnership. “We focus on experience and exposure, and we appreciate partners who allow for exploration and hands-on learning,” Holloway said. “After hearing about the program and how students engage in different forms of visual art, culminating in an art show, we were excited about the partnership.” Holloway also emphasized the importance of helping students recognize that creativity can have a place in their professional futures. “It’s important because creativity and career opportunity are deeply connected,” she said. “When students see art as a real, viable path with entrepreneurship and income potential, it broadens how they think about their own futures.” Jubalo emphasized that exposing young people to both the artistic and entrepreneurial sides of creativity is essential to building stronger communities. “Our team has been laser-focused on elevating North Charleston into the premier epicenter of arts and culture in the South,” Jubalo said. “Engaging our youth—exposing them not just to the arts, but to the vital business and economics behind them—is essential to building a thriving creative community.” Okeeba Jubalo instructing KOP students Creating Confidence Through the Creative Process Throughout the multi-week program, students created original artwork that reflected their unique experiences and perspectives. Each project challenged participants to embrace experimentation, solve creative problems, and follow their ideas from concept to completion. When students needed additional time to refine their projects, NobleSol Art Group extended workshop sessions to ensure they had the opportunity to fully develop their work. The decision reinforced a real-world lesson: meaningful creative work requires dedication, adaptability, and patience. The program culminated in a student exhibition, transforming the classroom into a gallery where participants proudly showcased their artwork to family members, mentors, and the Kids On Point community. For many students, the exhibition was their first opportunity to experience what it means to present their work in a professional setting. More than displaying artwork, the event celebrated confidence, perseverance, and the courage to share their creative voices. Holloway said the experience was also designed to help students develop skills that extend beyond the artwork itself. “Beyond artistic skills, we hope students gain confidence in trying something new, comfort with problem-solving when a piece doesn't go as planned, and pride in creating something to share publicly,” she said. Capturing the Journey Through Photography Katrina Crawford, Director of Photography and Visual Storyteller for Art to HeART, documented the students’ experiences throughout the program, capturing their creative process, growth, and transformation. In addition to photographing the workshops and final exhibition, Crawford introduced students to photography techniques and visual storytelling methods, helping them understand how images can communicate emotion, perspective, and meaning. “I wanted to capture the heart behind the work: the concentration, curiosity, connection, and pride that developed as the students explored their creativity and learned to tell stories through their own lens,” Crawford said. Crawford said one of the most meaningful aspects of the experience was watching students become more comfortable expressing themselves. “Some began quietly, observing and figuring out where they fit within the process,” she said. “As the program continued, you could see their confidence growing, not only in the artwork they were creating, but also in the way they carried themselves and interacted with one another.” Through her photography, Crawford preserved the moments that reflected the deeper impact of the program—the excitement of discovering a new idea, the encouragement students gave one another, and the pride they felt in their accomplishments. “I have always believed that photography does more than prove that something happened,” Crawford said. “At its best, it preserves how an experience felt.” She added that the images represent more than documentation of a program. “They are evidence of investment—investment in creativity, confidence, relationships, and the future of each student involved,” Crawford said. Katrina Crawford working with KOP Student Expanding Art to HeART Through Community Partnership The success of Art to HeART’s summer experience was strengthened through its partnership with Kids On Point, whose commitment to youth development aligned with NobleSol Art Group’s mission of expanding access to meaningful creative opportunities. Working alongside Jubalo were Dylan Woodward, Director of Programs at Kids On Point, Tenise Holloway, Summer Site Coordinator, and the broader Kids On Point team. Together, they helped create an environment where creativity, learning, and personal development could flourish. Holloway said the collaboration demonstrated the value of bringing organizations with complementary strengths together. “This partnership shows what’s possible when community organizations combine strengths,” Holloway said. “We hope it opens the door to more collaborations that expand meaningful arts access for students across Charleston.” Jubalo likewise credited the partnership as an example of what is possible when organizations unite around a shared vision for young people. “Kids On Point is taking significant strides to provide students with access to crucial programming that is far too often absent from traditional classroom experiences,” Jubalo said. “True impact happens when passionate leaders lock arms for a shared vision.” He added, “When you cultivate a culture of creativity, discipline, and support, you give young people the blueprint to transform their own lives and our community.” Expanding Art to HeART Through Community Partnership The success of Art to HeART’s summer experience was strengthened through its partnership with Kids On Point, whose commitment to youth development aligned with NobleSol Art Group’s mission of expanding access to meaningful creative opportunities. Working alongside Jubalo were Dylan Woodward, Director of Programs at Kids On Point, Tenise Holloway, Summer Site Coordinator, and the broader Kids On Point team. Together, they helped create an environment where creativity, learning, and personal development could flourish. Holloway said the collaboration demonstrated the value of bringing organizations with complementary strengths together. “This partnership shows what’s possible when community organizations combine strengths,” Holloway said. “We hope it opens the door to more collaborations that expand meaningful arts access for students across Charleston.” Jubalo likewise credited the partnership as an example of what is possible when organizations unite around a shared vision for young people. “Kids On Point is taking significant strides to provide students with access to crucial programming that is far too often absent from traditional classroom experiences,” Jubalo said. “True impact happens when passionate leaders lock arms for a shared vision.” He added, “When you cultivate a culture of creativity, discipline, and support, you give young people the blueprint to transform their own lives and our community.” Inspiring the Next Generation of Creators Through Art to HeART, NobleSol Art Group continues to redefine what arts education can look like. The program provides students with more than artistic skills—it gives them the confidence to think creatively, solve problems, and recognize their own potential. The partnership with Kids On Point demonstrates how community collaboration can expand that impact, connecting young people with creative experiences that encourage them to explore new possibilities and envision themselves as artists, entrepreneurs, and future professionals. As NobleSol Art Group expands Art to HeART into schools, nonprofits, and community organizations, the program serves as a reminder that investing in creativity is investing in the future. “When we invest in a young person’s creative voice, we aren't just teaching them how to make art—we are teaching them how to think, innovate, and lead,” Jubalo said. “Art to HeART is about breaking down the wall between creative expression and real-world execution. As we expand this program into more schools and communities, our focus remains unchanged: to empower the next generation with the tools, discipline, and vision required to build a future of their own design.”

Jailan Williams, leader of the Lighthouse Band In a city where jazz, gospel, soul, blues, and Gullah traditions have shaped generations of musicians, Lighthouse Band is emerging as one of Charleston’s most promising new voices. More than a live entertainment group, the ensemble is building a movement centered on excellence, authenticity, and community connection. Led by bassist and vocalist Jailan Williams, Lighthouse Band blends jazz, soul, R&B, blues, gospel, and contemporary pop into what the group describes as a “timeless and engaging live music experience.” The band’s name reflects its mission: to serve as a source of hope, encouragement, and light through music. For Williams, honoring Charleston’s musical heritage begins with respecting the many influences that have defined the Lowcountry while allowing music to evolve for a new generation. “Charleston does have this very rich history when it comes to music, from jazz to gospel to soul to Gullah,” Williams said. “Our band is honoring that by serving as a prime example of a young, talented, professional group that pays homage and respect to all of those different sounds.” Rather than limiting themselves to a single genre, Lighthouse Band embraces a jazz fusion approach that allows the musicians to blend multiple traditions into one cohesive sound. “There’s not one particular sound that we stick to,” Williams said. “A lot of our music has roots tied to jazz, R&B, soul, and blues. Music continues to evolve, and that’s the beauty of it. You can shape it into something meaningful for the listener.” The Lighouse Band performing for the Persevation Society of Charleston Williams credits Charleston with shaping both his artistic and professional journey. After studying business, music, and the arts at the College of Charleston, he immersed himself in the Lowcountry’s creative community through church music ministries, jazz ensembles, restaurants, and educational programs. “The Lowcountry is a rich gumbo when it comes to music,” he said. “It’s a melting pot, and that diversity shows up in the music and the arts.” While Lighthouse Band has earned a reputation for polished live performances at weddings, boutique hotels, historic venues, and community events, Williams believes audiences connect with the group for a different reason: authenticity. Earlier this year, the band established three guiding principles that now define every performance and business decision: MAP—Moral, Authentic, and Professional. “We wanted authenticity to be the focal point of the group moving forward,” Williams said. “We’re not just playing songs exactly how they sound on the record. We’re adding our own taste and making sure every performance sounds like us.” That philosophy has resonated with audiences throughout the Charleston area. “People have told us they stayed after finishing their meals because they wanted to hear us play,” he said. “Other musicians have said they appreciate that we’re actually learning the music and then creating something authentic from it.” For Williams, however, Lighthouse Band’s purpose extends beyond entertaining audiences. The ensemble was intentionally built around relationships, character, and community. Its members—Jorge Chocobar (keyboard and saxophone), Carl Taylor II (guitar), Justin McKenzie (drums), and Williams himself on bass and vocals—first connected while working together at a local music store before deciding to build something of their own. “We not only wanted to build a band that was talented and skilled, but we also wanted to build a band full of good people,” Williams said. “Community starts with relationships, leadership, and the people around you.” Rooted in Christian faith, the group views music as a tool for bringing people together and creating positive cultural impact. “We want to be an example for other young musicians who want to be part of something bigger than themselves,” Williams said. “We believe music has the power to uplift communities and create lasting memories.” As Charleston continues to expand as a cultural and tourism destination, Williams believes the Lowcountry is uniquely positioned to become an even stronger hub for live and original music. “Charleston is one of the most popular tourist cities in the country, and it’s only going to continue growing,” he said. “All of these restaurants, hotels, festivals, and events need musicians. It’s a prime opportunity for artists who want to build a brand and build a career.” He also believes the region deserves greater recognition for the talent already thriving within it. “Charleston really is a musical hub, and I think it’s underrated,” Williams said. “There are incredible musicians here, and Lighthouse Band wants to be one of the groups helping lead the way.” That vision is also being recognized by cultural leaders who see the importance of supporting Charleston’s next generation of musical voices. Okeeba Jubalo, Executive Creative Director of the North Charleston Arts District, believes Lighthouse Band represents the type of artistry needed to continue expanding the region’s cultural influence. “Charleston is home to incredible, seasoned musical talent, but there is a clear demand for a fresh voice dedicated to original work,” Jubalo said. “I’m thrilled to collaborate with Jailan and The Lighthouse Band as we continue to elevate the cultural landscape of North Charleston and beyond.” Although the band has been together for only two years, its growth has been significant, earning opportunities to perform at premier venues across the Charleston area while preparing to release original music that reflects the heart of its mission. “When I understood that this was bigger than me, I took it very seriously,” Williams said. “I’m excited for what’s to come as we continue creating music, building relationships, and striving to be the gold standard when it comes to professionalism and live performance.” For Lighthouse Band, success is not measured solely by applause at the end of a performance. It is found in creating meaningful experiences, building lasting relationships, and contributing to a musical culture that will inspire generations to come. As Charleston’s cultural landscape continues to evolve, Lighthouse Band is proving that honoring tradition and embracing innovation are not competing ideas—they are the foundation for building something that lasts. The Lighouse Band Carl Taylor II, Jorge Chocobar, Justin Mckenzie & Jailan Williams

Okeeba Jubalo passionately delivering guidance to his students in a classroom setting, emphasizing key points with illustrative materials. Light has a way of piercing into the spaces that need it most. Within the Westside of Charleston, a spark has been struck—one poised to ignite the creative futures of a new generation. It is a moment brought home by a son of Charleston who earned his stripes, his reputation, and the right to be called a true arts leader and visionary in the high-stakes creative trenches of Atlanta for nearly thirty years. Okeeba Jubalo has returned to his roots, and he isn’t just bringing inspiration; he’s bringing a proven blueprint. Enter Art to HeART, Jubalo’s intensive five-week creative bootcamp designed to bridge the gap between raw talent and real-world execution for students ranging from third graders to college seniors. This isn't just a local arts initiative—it’s a rapidly expanding movement. "This program was engineered to introduce everything I needed as a young, up-and-coming artist who didn't even know these professional avenues existed," Jubalo reflects. "Growing up between Charleston and North Charleston came with a certain detachment from the art world. But art is woven into everything beautiful. For the Lowcountry to rise to a level of national respect in the arts industry we must be intentional about the business of art and teach our creatives how to be world-class professionals. My work in Atlanta and beyond prepared me to serve as a bridge builder for our communities." The Art to HeART initiative offers a parallel yet deeply connected expression of purposeful impact—this time through the lens of youth creativity, emotional development, and visual storytelling. Produced through the strategic collaboration between NobleSol Art Group and Wings for Kids, the foundational program centered students as both creators and storytellers, reinforcing the idea that leadership and voice begin forming long before adulthood. Students enthusiastically engage in a creative collage project. Creative Education as Social-Emotional Development Wings for Kids CEO Julia Rugg underscored how seamlessly the program aligned with the organization’s mission of whole-child development. She shared that the initiative supports youth “with voice and choice, self-awareness of strengths and weaknesses, the opportunity to collaborate and accept feedback, and to persevere through challenges.” She also emphasized the deeper connection between creativity and emotional learning, stating, “Creative education is social emotional learning. It is a hands-on way for kids to practice what they’ve been learning each day at Wings.” Rugg further reflected on the experience, noting, “This experience had a tremendous impact on our students – building their self-confidence, allowing them to explore new talents, and to be empowered with hope and confidence that they can dream anything and have it become a reality.” Program Coordinator Warlon Mack A Student-Centered Approach to Creative Learning At the heart of the initiative, Program Coordinator Warlon Mack emphasized the shift from observation to ownership in the learning process. As he shared, “Students responded with a level of excitement, engagement, and confidence that was honestly powerful to witness.” He further reflected on the structure of the program, noting, “What made this Choice Time experience so impactful was that students were not just passive participants; they were creators, decision-makers, and collaborators. What stood out most about this collaboration with NobleSol Art Group and Okeeba Jubalo was how authentic and culturally connected the experience felt for our students. Representation matters, especially for young people, and having a Black artist and creative leader who understands their experiences and comes from a place of community, creativity, and purpose made a lasting impact.” Visual Storytelling as Emotional Truth That transformation was amplified through the deliberate visual storytelling led by Director of Photography Katrina S. Crawford, whose approach prioritized emotional authenticity over performance. By focusing on candid moments of reflection, excitement, and peer connection, the program's documentation revealed something deeper than art instruction—it captured students discovering their own voices. As she explained her philosophy, “I never wanted the students to feel like they were performing for the camera. The goal was to create imagery that felt natural, immersive, and emotionally true to what they were experiencing in the moment.” She added, “For me, the strongest storytelling happens when people feel seen, safe, and free to simply be themselves.” Katrina Crawford outlines the key components of her lesson plan, describing group activities and goals in a classroom presentation. Representation, Trust, and the Power of Cultural Connection What emerged most clearly from the Art to HeART experience was the power of representation, trust, and culturally grounded mentorship. Under the leadership of Okeeba Jubalo, students engaged with an approach to art that felt accessible, affirming, and reflective of their lived experiences. That connection helped foster trust and engagement, driven by the firm belief that representation matters, especially for young people. Students were able to see leadership and creativity modeled in a way that felt both real and attainable. A Shared Thread of Intentional Impact In many ways, Art to HeART extended the same message echoed throughout the concurrent POW!Her experience: when people are given intentional spaces to show up fully—as professionals, as leaders, or as young creatives—the result is not only engagement, but transformation. Photos by Katrina S. Crawford Photography Kat Brown and Okeeba Jubalo celebrate creativity with the enthusiastic Art To Heart students from Wings For Kids.

The intersection of industry leadership and intentional community building is a rare and powerful space. On May 7, 2026, that space was fully realized at Venture X during the POW!Her Panel, a cornerstone of the 3C Networking Experience. Produced by NobleSol Art Group, this was more than a standard panel discussion; it was a vibrant, multi-sensory demonstration of what happens when professional discipline and collaborative spirit converge in the heart of the Lowcountry. A Modern Arena for Heritage The atmosphere at Venture X was charged with an energy that felt both high-level and deeply personal. From the moment guests entered the sleek, modern coworking environment, it was clear this was not a typical corporate mixer. Hope Rencher, Assistant General Manager of Venture X, noted the immediate impact: "The energy was electric. I was instantly drawn the minute all the women began speaking." Hope Rencher, Assistant General Manager of Venture X The POW!Her of Intention The POW!Her Panel brought together a formidable roster of leaders spanning Arts, Business, Education, Hospitality, Media, Real Estate, and Technology. While their industries varied, a common thread of resilience and unshrinking confidence tied their narratives together. Jessica Vernon, co-host and moderator, emphasized that the intentionality of the crowd set the tone. "It was a small crowd, but everyone who showed up came with intention. That’s the energy you want for a first event in a series. What struck me most was the diversity in the room. Almost every single panelist spoke about recognizing their own gifts and feeling a responsibility to share them with the world," Vernon observed. "It’s powerful to have that many women in one room, all fully owning their potential without feeling the need to humble or shrink themselves." Jessica Vernon (Moderator of The POW!Her Panel) POWHer Guest Lauren Binard Christine Johnson (POW!her Panelist This sentiment was echoed by POW!Her panelist Christine Johnson, who noted that the strength of the collective is the ultimate resource for the individual leader. "I was reminded that we all need each other and are better when we take the time to support each other. Community is everything; we need a central, safe, supportive environment where we can support each other." The Mandate for Community-Led Support Perhaps the most vital realization of the evening was the urgent need to support non-elected community leaders. While public officials have their place, the true fabric of a neighborhood is woven by independent entrepreneurs and organizers. Johnson highlighted the necessity of these "safe spaces" for the entrepreneurial journey: "Being an entrepreneur is challenging, but it is a level of freedom and peace that cannot be bought, so we have to continue to show up for each other. We need platforms to safely share concerns and actively resolve issues." Telissia T. Mack (POW!Her Guest) Excellence in Partnership A production of this magnitude requires a venue that understands the nuances of professional hospitality. The partnership with Venture X proved to be a perfect alignment. As a hub for Park Circle’s innovators, the space provided an environment that matched the high standards of the evening, allowing the "3C" philosophy (Commerce, Connections, and Culture) to truly take root. The impact of this environment extended beyond the stage. Johnson reflected on the lasting connections formed: "Because of the event, I feel comfortable reaching out to the other panelists and audience members because of their warmth and spoken willingness to continue the conversation and support." Chloe Shaw, Sales General Manager of Venture X Katrina Crawford (POW!Her Panelist & Celebrity Photographer) with guests A Message from the Founder For Okeeba Jubalo, founder of the 3C Networking Experience & NobleSol Art Group, the event was a manifestation of a lifelong mission to reclaim the local narrative. "It is very important for me and my team at NobleSol Art Group to continue to build platforms for the community, artists and small businesses," Jubalo stated. "Too often, our elected officials in North Charleston are focused on big business and not on those within the community who elected them to serve. Since returning home, I have made it my focus to be the bridge builder—one who is not loyal to corporations that are tone-deaf to what we really need in North Charleston. Creating this platform for the women leaders within the Lowcountry is an example of what my focus has always been for nearly 30 years and will always be." Kat Brown & Okeeba Jubalo ( Founder of the 3C Network Experience) Looking Ahead The success of the POW!Her Panel serves as a powerful prologue. As Vernon suggested, this is merely step one: "You can't build something lasting without knowing what you're actually working towards and who's in it with you." As the momentum carries forward toward the H.E.A.L (Husbands, Entrepreneurs, Artists and Leaders) panel on June 4, we are reminded that when we invest in local leaders and partner with world-class venues, we don’t just host events—we build legacies.

Okeeba Jubalo ( Photos by Katrina S. Crawford Photography ) Returning home to Charleston in 2021 wasn't a retreat; it was a deployment. Whether it’s through my media platforms , growing small businesses with our branding agency , my documentary series The Long Way Home , our art exhibitions , or standing on a stage at the Charleston Library Society, my mission remains the same: I am here to show that the kid from North Charleston didn't just "make it out"—he came back with the blueprints to build something better for everyone. Being chosen as a featured speaker at CreativeMornings Charleston served as a reminder that when you are intentional about your growth, your reach and your community grow  with you. The work is far from over, but the vision has never been clearer. Okeeba Jubalo & Jessica Verno n ( Photo by Katrina S. Crawford Photography ) On Friday morning, March 27, 2026, as I looked out at the audience at the Charleston Library Society , I was struck by the contrast between that refined room and the raw, quiet house on Ashley Phosphate Road where my childhood shifted forever—33 Stratton Drive. To understand why I am so intentional about my work today, you have to understand the silence that fell over my life when I was only ten years old. That was the year my father, Jessie "Slim" Brown, passed away from lung cancer. In an instant, the world stopped being a playground and became a troublesome weight my narrow shoulders had to learn how to carry. Most kids that age are worried about the next game or a school project; I was suddenly staring at the void left by the man who was supposed to show me how to be a man. Watching his strength fade was a brutal introduction to mortality and responsibility. It didn't just sadden me—it transformed me. I had to raise myself. During those times when I really missed him, the mirror was the only constant reminder that even though my dad was no longer here, he would always be here as long as I was here. Photos by Katrina S. Crawford Photography The Accelerated Path to Manhood   Losing a father at that age doesn't just leave a hole in the family; it forces a child to grow up in the cold, razor-sharp margins of America. Because I was the only boy following two powerhouse sisters, I felt a distinct, internal pressure to step up. I had to develop a level of discipline and self-reliance that most of my peers wouldn't touch for another decade, if at all. On my dad’s deathbed, he told me that I was in charge and I would have to figure it out, come hell or high water. Observation as Survival:  I couldn't ask my father for advice on how to navigate the world, so I became a "silent expert." I watched, I listened, and I decoded the mechanics of respect and hard work on my own. The Weight of the Name:  I realized early that "Slim" wasn't just a nickname; it was a reputation. Carrying that legacy while being bused from North Charleston to Summerville, eventually graduating from Irmo High School, required a level of mental toughness that became the foundation of my professional drive. Turning Pain into Purpose:  That early loss is why I don’t play with time, and I don’t let anyone play with me or my time. I learned at ten years old that tomorrow isn’t a guarantee, so every move I make today—every gallery opening, every mentorship, every word spoken—must have an immediate and lasting impact. Weaponizing the Void   When I talk about "weaponizing the arts," people often think of the finished product. But for me, the "weapon" was forged in the fire of that early grief. I took the discipline I had to learn as a fatherless ten-year-old and applied it to my craft. I didn't just want to create art; I wanted to create a stronghold. A king must have a kingdom, and I wanted a safe space for those who believed in what I believed. Creativity is the answer to the problems within our communities. I used the arts to build the world I wanted my father to see. Every success is a tribute to the man who met my mother in the concrete jungle of New York City and brought us back to the Lowcountry. I am the son of Jessie Brown, and while cancer took his breath, it couldn't take the vision he planted in me. Standing on that stage in the Charleston Library Society, I wasn't just speaking for myself—I was speaking for my community and the boy who had to become a man overnight, proving that even from the deepest loss, you can build a legacy that towers over the city. The morning air was heavy with more than just history; it was heavy with the truth of a journey that spans numerous cities with very different philosophies of success. To understand my work, you have to understand the collision between the "celebrity" I witnessed in Atlanta and the "credibility" I was forged in here in North Charleston. Okeeba Jubalo ( Photo by Katrina S. Crawford Photography ) The Atlanta Illusion: Celebrity vs. Substance   During my nearly thirty years in Atlanta, I saw a recurring pattern. In the "City Too Busy to Hate," there is an intoxicating pressure to chase “celebrity” status. I watched people build entire careers on the appearance of power—chasing the right rooms, the right photos, and the loudest buzz. In that model, elevation is measured by how many people know your name, not necessarily by what you’ve built with your hands. I saw the trap clearly: If your elevation is based on celebrity, you are only as strong as your last trend. I never bought into that model. I didn't move to Atlanta to be "famous"; I moved there to become a master of my craft. While others were curating an image, I was in the trenches at the Art Institute, later at NobleSol Art Group and Young Black Entrepreneur Magazine , obsessing over the mechanics of branding, the strategy of the arts, and the weight of a finished product. The North Charleston Reality: The Power of Proof   The reason I rejected the celebrity model is because I am a product of North Charleston. On Ashley Phosphate Road, you don’t get a pass for talking a good game. Growing up in a community that had to fight for its resources and its respect, I learned a fundamental law of survival: You must be able to do exactly what you speak about. In the Lowcountry, credibility isn't given; it’s earned through repetition and results. If I speak on art, it’s because I’ve spent decades at the canvas and the drafting table. If I speak on community, it’s because I’m building the gardens and the galleries myself. If I speak on legacy, it’s because I’ve lived the cost of losing a father at ten and had to build my own foundation from the dirt up. North Charleston taught me that "Weaponizing the Arts" requires a sharp blade, not just a shiny one. Celebrity is a coat of paint; credibility is the structure of steel and iron underneath. Closing the Circle  Standing in the Charleston Library Society, I wasn't there as a "celebrity" returning from the big city. I was there as a son of Charleston who went away to gain the tools, refused to lose his soul to the glitter of the industry, and came back with my respect and receipts. I don't want to be known for being known. I want to be known for the work that remains when the lights go down—the books, the films, the art, and the institutions that will serve our community long after I’m gone. That is the difference between a moment and a movement.

(Girl Scout Troop 0037) Tanqueray Edwards, Maya Brown, Caroline Wheeler, Sade Clark, & Vivian Pettigrew In the 29405-zip code of North Charleston, the distance between a family and a fresh head of lettuce can feel like an ocean. For those without reliable transportation, a three-mile trek to the nearest Food Lion isn't just an inconvenience, it’s a barrier to health. While neighboring areas like the Peninsula see a steady influx of resources and development, pockets of North Charleston have long been classified as "food deserts," areas where nutritious, fresh food is replaced by the limited, shelf-stable options of convenience stores. But a group of young leaders is refusing to let their community go hungry. Four of the Cadettes of Girl Scout Troop 0037 have spent the past six months moving beyond the traditional badges, setting their sights on a more systemic challenge: food insecurity. Troop members Sade, London, Maya, and Caroline identified food insecurity as a one of the root causes affecting residents in the 29405-zip code of North Charleston. As part of their Silver Award project—the highest honor a Girl Scout Cadette can achieve, these young women have launched a sustainable initiative to bring fresh produce, meats, and dairy directly to the heart of North Charleston. More Than a Project: A Mission of Leadership "These are true future leaders for tomorrow," Ms. Vivian Pettigrew, a veteran Girl Scout leader with over 30 years of experience. Having grown up in North Charleston and raised her own daughters in the organization, she has watched this specific group of sixth to eighth graders evolve into a "phenomenal" team. "To see these girls grow, the thoughts that come out of their minds... sometimes it brings tears to my eyes." The project, titled Feeding 29405 , was born from rigorous research. The scouts identified that while their neighbors might have access to food, they lack access to nutrition . "A food desert to me is an area with low access to nutritious foods," explains one of the scouts. "While they might have access to foods that are not necessarily healthy, they don't have access to fresher foods you’d find at a grocery store. Personally, that’s really sad." The Logistics of Compassion Planning an initiative of this scale is no small feat for a group of teenagers. The scouts spent countless hours after their regular meetings in a dedicated "war room," calculating budgets, sourcing volunteers, and coordinating with the Humanities Foundation to source fresh vegetables, fruits, and meats. The challenge was daunting: How do four young ladies feed 250 people? The answer lay in community partnership. By collaborating with local businesses and fellow scouts, they developed a model for a recurring food giveaway. On April 4th , the troop will host their primary giveaway, but the vision is long-term. This is a sustainable project designed to occur at least twice a year. A Call to the Community The success of Feeding 29405 relies on the very neighbors it seeks to serve. Tanqueray Edwards, a co-leader for the troop, emphasizes that the project is a vehicle for mentorship and collective investment. "It’s important for our girls to get an understanding of what leadership looks like, what giving back looks like, and what building community means—and actively doing that in their own way." The troop is currently seeking community partners to help fuel this mission: • Sponsor a Truck: For $350, a donor can sponsor an entire truck that feeds 250 people. Micro-Donations: Contributions of $15 or $20 go directly toward the cost of sourcing fresh food.  Volunteerism: The troop needs hands on deck the day of the giveaway to package and distribute food. Mayor of North Charleston - Reggie Burgess & Girl Scout Troop 0037 The Power of the Village For the leaders of Troop 0037, this work is personal. Edwards reflects on her own childhood, having lost her father at age 13, and the "cobbled together" mentors —teachers and band directors—who stepped in to support her. By leading these scouts, she and her co-leaders are paying that debt forward, providing a stable environment where young women can tackle the most pressing issues of their time. As the girls prepare for their April 4th giveaway, they aren't just handing out groceries; they are handing out hope and proving that no zip code is too deserted for a new generation of leaders to find a way through. How to Help: • Event Date: April 4 th  beginning at 10AM, until all food is gone • Location: 3950 Azalea Dr, Charleston, SC 29405 Get Involved: Sign up to volunteer, mentor, or donate to sponsor a food truck by emailing  vspettigrew@gmail.com  to ensure this project remains a permanent fixture in North Charleston. GIRL SCOUT 0037 PARTNERS North Charleston Councilwomen Brown Humanities Foundation Low Country Mortuary, LLC   TR Edwards Consultancy - Your AI Ally  Just Taxes Inc.  Mason Lodge  Okeeba Jubalo interviewing Girl Scout Troop 0037

(Image by Sease The Moment Photogra phy) What does it look like when years of intention, discipline, and cultural investment finally align in real time? For Okeeba Jubalo , " Salt: The Dirty Dozen"  was more than a successful exhibition—it affirmed not only his work, but the ecosystem he has cultivated in North Charleston over the past four years. For more than three decades, Jubalo has contributed to the cultural fabric of Atlanta and beyond, building a reputation rooted in both artistic rigor and community-centered practice. His transition to North Charleston required something different: patience. “You’ve got to have a long line of patience and commitment,” he reflected, acknowledging the challenges of building within a space that does not immediately mirror larger cultural hubs like Atlanta or Washington, D.C. What SALT  revealed, however, is that the investment has begun to pay off in visible and meaningful ways. Mitchell Crosby during the SALT Artist Talk's Q & A (Image by Sease The Moment Photography) Kat Brown, wife of Okeeba Jubalo (Image by Sease The Moment Photogra phy) Maura Hogen ( Author at Charleston City Paper) during SALT Artist's Talk Q &A (Image by Sease The Moment Photogra phy The exhibition itself carried the layered intentionality that has long defined Jubalo’s work. Rooted in the concept of “salt of the earth,” the show continued his Dirty Dozen  tradition—twelve works that operate both individually and collectively to tell a broader story of resilience, culture, and transformation. Materials like oyster shells, long embedded in Lowcountry tradition, were elevated into intricate, tactile works that demanded both attention and emotional engagement. These pieces did not simply sit on display; they invited viewers into a sensory and cultural dialogue, one that bridged memory, material, and meaning. For Marvin Sease Jr ., that connection was immediate. “The oyster shell cluster piece resonated with me the most,” he shared. “The texture and level of detail immediately drew me in. It felt tactile and alive—almost as if each element carried its own story.” His response speaks to a larger truth about Jubalo’s work: it resists passive viewing. Even the boundaries of the gallery space become part of the experience. “The ‘do not touch’ sign almost made it too tempting,” he added, highlighting the physical pull of the piece. More broadly, Sease noted the exhibition’s impact beyond aesthetics. “It adds meaningful value to the community by sparking dialogue and elevating creative voices that reflect culture, history, and identity. It invites viewers not just to observe, but to feel and engage.” Marvin Sease Jr of Sease The Moment Photography Image by (Image by Sease The Moment Photogra phy) That sense of engagement extended beyond the artwork itself and into the composition of the room. One of the most notable outcomes of SALT  was the diversity and balance of its audience—something Jubalo described as a rare and significant achievement. Too often, cultural spaces lean toward imbalance, leaving certain groups feeling peripheral or out of place. This exhibition, however, felt different. The audience was not only diverse but harmonized, creating an environment where the work could be experienced collectively rather than in fragmented ways. For Jubalo, this was a clear indication that his approach to cultural programming—one rooted in authenticity rather than accommodation—was resonating. Dr. Ed Garnes   (Image by Sease The Moment Photogra phy) Supporters of his work have long understood this impact. Dr. Ed Garnes   describes Jubalo’s practice as expansive in both form and meaning. “Okeeba’s work is a kaleidoscope melding the tragedy and triumph of the Black experience,” he explained. That duality—holding both weight and beauty—is central to Jubalo’s artistic language. “He is not a prisoner to style,” Garnes continued. “Whether abstract, collage, or figurative, truth reigns.” As a curator, that same commitment to truth translates into opportunity. “His focus is on giving artists redefining contemporary art space to breathe and eat off their art.” In SALT , that ethos was not only present—it was fully realized. “Okeeba is selfless, but with SALT, I am excited he has chosen to show the world why his work matters,” Garnes added. “His exhibitions are healing, challenging, and always an emotional experience. SALT is the remedy to all of your misgivings about archaic notions of art.” Chef Alexis Mungin   (Image by Sease The Moment Photogra phy)   (Image by Sease The Moment Photogra phy) Johnny Clarkson   (Image by Sease The Moment Photogra phy) Moments throughout the exhibition reinforced this sense of shift, but one stood out in particular. During the artist talk, a respected Charleston figure publicly acknowledged what many in attendance were beginning to recognize: what Jubalo is building has not been done before—not in this way, and not within this context. For an artist accustomed to pushing forward, the comment served as a rare pause, a chance to fully absorb the weight of that reality. It is often difficult to recognize a turning point while standing inside of it, but SALT  made that recognition unavoidable. The significance of that moment extends beyond a single exhibition. Through NobleSol Art Group , Jubalo has been developing a model that merges art, community, and commerce—one that prioritizes sustainability as much as creativity. The success of SALT  provides a foundation for what comes next: the expansion of the Dirty Dozen  series into new cities, the continuation of monthly programming that connects artists and entrepreneurs, and larger cultural activations that bring together visual art, cuisine, and conversation. That momentum is already carrying into new spaces. CreativeMornings Charleston’s  upcoming programming at the Charleston Library Society—one of the South’s oldest cultural institutions—marks a significant step not only for Jubalo but also for representation in spaces that have historically excluded voices like his. Entering that space as himself, without compromise or adaptation, underscores the very essence of what SALT  represents. Ultimately, Salt: The Dirty Dozen  is not just a reflection of where Jubalo has been—it is a clear indication of where he is going. It captures a moment when vision, community, and execution align, creating something that feels both immediate and enduring. For those who experienced it, the exhibition offered more than visual impact; it provided a sense of presence, of witnessing a moment as it shifts into its next phase. And in that shift, one thing becomes certain: this is no longer a process of building toward recognition. The recognition has arrived—and it is only the beginning.

In the heart of Moncks Corner, South Carolina, a quiet revolution in wellness and education is taking place. At the helm is Dr. Monica Irene Dixon-Houston, founder of Beautiful Butterfly LLC and owner of Brazilian Wax and Spa by Claudia’s in Moncks Corner . With more than 20 years ofexperience shaping education programs and professional development initiatives, Dr. Dixon-Houston has seamlessly blended academic leadership with hands-on esthetics expertise, creating a space where transformation is not just encouraged—it is inevitable. The philosophy behind Beautiful Butterfly, “From Cocoon to Confidence,” is deeply personal. “For years, I felt like I was not evolving to my full God-given potential,” Dr. Dixon-Houston explains. “I was a caterpillar. Through education, faith, and perseverance, I became more confident, feeling like a beautiful butterfly. God has guided me, and this journey informs every interaction I have with my clients and students.” Her spa, a serene sanctuary nestled in South Carolina, embodies this philosophy. The goal is not simply to provide a service, but to create restorative and empowering experiences for every visitor. “We prioritize comfort, safety, and confidentiality,” Dr. Dixon-Houston says. “People need to feel seen, heard, and secure. That is the foundation upon which transformation occurs.” Dr. Dixon-Houston’s approach to wellness is holistic, addressing the physical, mental, and spiritual needs of her clients. She emphasizes the importance of understanding the whole person, particularly in her role as an educator. “Holistic self-care is about the entire person,” she notes. “When students or clients feel their basic needs are met, they are better positioned to focus on growth and achievement. Our work is guided by faith, compassion, and a commitment to nurturing potential.” Her dual career in education and entrepreneurship has offered her unique insight into the gaps within the beauty and wellness industry. “I advocate for the recognition of beauty and wellness as legitimate professions,” she says. “Licensing and training are not arbitrary—they save lives. It ’s also critical to understand the disparities between states in licensing standards, and I aim to bridge that gap wherever possible.” Collaboration has been central to Dr. Dixon-Houston’s growth. Her partnership with Okeeba Jubalo and NobleSol Art Group has provided strategic guidance, amplified her digital presence, and allowed her vision to become more concrete. “Whenever I show people the website, they say it’s first class,” she shares. “This partnership has saved me time, sharpened my vision, and helped me articulate my goals. If people don’t have a vision, they perish. I’m grateful for the support and expertise they bring.” Beyond technical skill, Dr. Dixon-Houston is committed to fostering independence and empowerment. Reflecting on her own experiences with systemic barriers, she emphasizes the importance of creating opportunities where none exist. “As an African-American woman, navigating loans and business infrastructure was disheartening. My hope is to support others in similar positions, providing guidance and resources where traditional institutions may fall short.” Beautiful Butterfly is not only a space for individual growth but also a hub for professional development. Through her “Methods of Teaching” course and continuing education programs, Dr. Dixon-Houston equips licensed estheticians, nail technicians, and cosmetologists to teach with confidence. Each course is designed to be hands-on, holistic, and intentionally structured to reduce the learning curve for emerging professionals. “The first class I taught was challenging because I had to manage every detail myself,” she recalls. “Now, with the right systems in place, my goal is to provide a seamless, enriching experience for students. They pay for knowledge, and it’s my responsibility to make it worth their while.” Her impact extends far beyond the classroom or spa. Dr. Dixon-Houston envisions a future where her work inspires systemic change in the beauty industry and broader community. By emphasizing education, wellness, and strategic mentorship, she is setting a standard for what it means to lead with integrity, expertise, and compassion. In a world where holistic care is often undervalued, Dr. Monica Dixon-Houston stands as a beacon of transformation. Through her dedication, every cocoon has the potential to become a butterfly, and every client and student leaves not only renewed but empowered to embrace their full potential. Learn more about Beautiful Butterfly and Brazilian Wax and Spa by Claudia’s: www.thebeautifulbutterfly.com

Hello, Park Circle! My name is Sarah Ann Bolden, and I am the founder of Lymeapalooza, Community Manager for The Global Art Fair 2025, and contributor for the Park Circle Quarterly Magazine. Some of you know me already, but for those who don’t, let me introduce myself! Who is Sarah Ann? Park Circle Resident and enthusiast since March 2020 Lowcountry Orphan Relief Neighborhood Captain Former Secretary of Palmetto Gardens Neighborhood Bridges of Hope advocate and supporter Charleston Pride Board Advocate Amor Healing Kitchen reserve volunteer Charleston Native, raised in West Ashley, Graduate of Ashley Hall, Class of ’02 3rd Generation Clemson University Alumni, Class of ’06 Nova Southeastern University alumnus with a 4.0 Master’s in Curriculum and Education Design Early Childhood Educator in public and private schools in both Charleston and Columbia, SC, for 17 years, three of which were at top five private schools in South Carolina Chronic Neurological Lyme Disease CONQUEROR! Founder of Lymeapalooza, a music fest/fundraiser/awareness event for Lyme Disease Community advocate Networker Friend What I am about: Authentic people, genuine conversation and connection, music, art, books, swimming, event planning and hosting, serving the community, education, mental health (specifically trauma and men’s mental health), invisible/chronic illness awareness, fishing, alternative healing, Topgolf, and supporting LOCAL! Now that you have a glimpse of who I am, we can get to the good stuff. My WHY. WHY am I writing this article about Park Circle? In my opinion, WHY is the most important and least asked question. I am honored to be asked to tell you my WHY! Moving Back to Charleston, South Carolina  I moved back to Charleston from Columbia (2015-2019) after my mom was diagnosed with terminal colon cancer. I found my dream home on Churchill Road after searching for months. I bought it sight unseen and closed in October 2019. I had major renovations to do that took months, so I wasn’t able to move in until March 2020—the weekend the world shut down, the weekend before we went into lockdown because of the COVID-19 pandemic, to be exact. I was advised by my realtor to join Park Circle Chatter. That weekend, I made my first post and met my first friend in Park Circle, Marshall Goldstein, owner of Wilson Mows Best. He worked for over a week on my disheveled yard, and we quickly became friends. This was the beginning of an ongoing theme from my posts on the chatter. Strangers soon became neighbors. Neighbors became friends, and friends became family. I had never lived in a community like it. It was magical to see how everyone showed up for each other, supporting local, and celebrating each other’s wins. I was HOME! Sarah Bolden & Joe Gallagher Jr. at The 2025 Global Art Fair Only The Beginning  This is only the beginning of my journey of connecting with more Park Circle friends, and I am so grateful to the Park Circle Quarterly Magazine  for giving me a platform to share my thoughts. My heart is rooted in genuine connections, authentic conversations, and building a community where neighbors can become family. The Park Circle Quarterly Magazine continues to be a hub for celebrating our people, our stories, and our local culture through thoughtful editorials and wonderful events. If you’re planning an event and want to extend its reach, you can list it in the magazine to gain more coverage and connect with the wider community. To stay updated on all things Park Circle—and to be part of the magic we’re creating together—subscribe at www.thepcqm.com .

From oyster shells to monumental installations, Jubalo’s Dirty Dozen series turns everyday cultural elements into transformative works that honor heritage, identity, and artistic mastery. Okeeba Jubalo My Clarity featuring Keya Neal For more than thirty years, Okeeba Jubalo has shaped the cultural landscape in Atlanta and beyond, and over the last four years has turned his focus to North Charleston, South Carolina. The founder of NobleSol Art Group , Jubalo has built a legacy that blends rigorous artistic practice with deep engagement in the Black arts community. His upcoming exhibition, Salt: The Dirty Dozen, opening March 14, 2026, marks both a culmination of his decades-long work and a new chapter in his journey as an internationally recognized artist. The exhibition, titled with a nod to the concept of “salt of the earth,” highlights the people and cultural movements that have supported, challenged, and shaped Jubalo over the years. “Salt is what makes everything taste right,” he explained, reflecting on the dual meaning of the show’s title. “It’s about those who make things move and continue to make them move, and it’s also about the resistance I’ve faced in my career—the barriers, the intentional blocking over thirty years.” The title also reflects the signature structure of Jubalo’s work, in which he traditionally creates twelve pieces per exhibition. “I think of it like cooking,” he said. “Anytime you start a dish, you begin with a high level of salt. It’s the foundation for everything else.” Salt: The Dirty Dozen  extends that principle metaphorically, focusing on resilience, creativity, and the intricate cultural threads of his community, while celebrating the people and influences that have shaped him as an artist and curator. Jubalo’s work often transforms objects and experiences that might otherwise be overlooked. In one of his signature pieces, Beenya Gold, he uses oyster shells—a delicacy in his Charleston community—to elevate everyday cultural symbols into blue-chip art. “Oysters are celebratory,” he said, “and they’re expensive. You don’t eat them every day. This collection includes shells from a family gathering, along with several gifted by my friend   Mitchell Crosby . Taking things we normally discard and making them into fine art speaks to the luxury and richness of our culture.” The exhibition also represents a deliberate inclusivity. For the first time, Jubalo is including works by Atlanta-based artists alongside his own. “We’ve been able to acquire different eyes,” he said. “It’s important to include them in this celebration and movement because I want their work to be seen. We represent them, and I believe in their work. Sharing the stage strengthens the cultural dialogue we’re creating.” Dr. Ed Garnes performing at The Global Art Fair 2025 Okeeba Jubalo & Dr. Ed Garnes Why We All Need Therapy ft. Dr. Ed Garnes | Conversate with Killer Mike ep. 8 Supporters and collaborators of Jubalo’s work emphasize the impact of his exhibitions. Dr. Ed Garnes, founder of From Afros to Shelltoes & Sweet Tea Ethics , describes Jubalo’s art as “a kaleidoscope melding the tragedy and triumph of the Black experience.” On his approach, Garnes adds, “As an artist, Okeeba is not a prisoner to style, and whether abstract, collage, or figurative art, truth reigns. As a curator, his focus is on giving artists—redefining contemporary art—space to breathe and eat off their art.” Looking ahead to SALT , Garnes says, “Okeeba is selfless, but with SALT , I am excited he has chosen to show the world why his work matters. His exhibitions are healing, challenging, and always an emotional experience. This is the remedy to all of your misgivings about archaic notions of art.” Chef Alexis Mungin , who will contribute culinary artistry to the exhibition experience, describes her excitement for the show: “This will be my first time experiencing Okeeba Jubalo’s solo work in an exhibition setting, and what excites me most is the opportunity to engage with his process—how materials are chosen and used, and how his current lived experiences show up in the work. I’m especially looking forward to hearing the stories behind the pieces and seeing how SALT  reflects both growth and intention. I anticipate an exhibition that feels honest, layered, and rooted in reflection.” She continues, “Sharing food alongside his art feels like an extension of the experience—bringing people together and allowing them to engage more fully with the work.” Johnny Clarkson & Okeeba Jubalo (Founders of The Lowcountry Cigars) Image by Katrina S. Crawford Photography Johnny Clarkson, Executive Digital Director at NobleSol Art Group and a longtime collaborator, reflects on Jubalo’s past Atlanta exhibitions, including the 2017 Dirty Dozen Jim Crow Fantasies : “When you’ve had the privilege of witnessing greatness from behind the velvet rope, choosing a single highlight feels impossible—like trying to define LeBron James’ career by one jump shot. The production was layered with purpose: art, performance, and unapologetic Black visual empowerment. During the dinner sequence, a long communal table brought together influential community leaders and media figures, with Okeeba and Kat Brown at its head. It felt like a modern-day Last Supper—symbolic, intimate, and powerful.” Clarkson describes Jubalo’s approach as “unwavering integrity, disciplined ethics, and a deliberate vision that leverages art to build and sustain community.” On SALT , he adds, “I’m most excited to witness the audience’s realization that his work surpasses every expectation they brought into the room. This is an experience you owe yourself if you consider yourself a collector, a contributor, or a true lover of the arts.” Salt: The Dirty Dozen   is both a personal and communal statement. Visitors will encounter Jubalo’s artistic transparency, which he describes as emotionally honest and unflinching. “I want people to remember their humanity,” he explained. “To experience grace, to allow themselves to feel. This show is about giving space for healing, for reflection, for joy.” The exhibition is deeply rooted in North Charleston, drawing on the city’s unique energy, history, and geography. Jubalo emphasizes the significance of place, describing the city as its own country, with a culture that permeates the work. Jubalo’s approach to his craft is meticulous and intentional. Over the last four years, he has developed smaller versions of pieces in preparation for this solo exhibition, ensuring that his ideas and vision are cohesive and fully realized. The show will feature pieces ranging from intimate vignettes to large-scale works, some reaching eight to ten feet in size, signaling his entry into the museum market and the international art stage. The impact of Jubalo’s work extends beyond aesthetics. It’s about community, mentorship, and legacy. “I’ve learned that it’s not just about me,” he said. “It’s about creating a platform where others can shine. We bring people back home through the arts, and we create a space where emerging artists can be seen and celebrated.” By connecting his exhibition to local history, culture, and the experiences of those who have shaped the community, Jubalo positions Salt: The Dirty Dozen  as more than a display of art—it is a statement on heritage, resilience, and the transformative power of culture. Visitors to the exhibition can expect an immersive experience. Jubalo wants audiences to feel transparency, honesty, and a deep connection to the stories embedded in each piece. “If visitors leave remembering one thing,” he said, “I want them to know that we are enough. We have what we need to uplift our community and to continue building a legacy that reflects our creativity, resilience, and shared humanity.” Okeeba Jubalo at the 2025 Global Art Fair As Salt: The Dirty Dozen  launches, Jubalo is already thinking ahead. The exhibition serves as the national and international kickoff of his work, with the potential to influence the broader art world while remaining rooted in the South Carolina communities that have nurtured him. “This is our Harlem Renaissance,” he said. “We may not always see it in real time, but we’re in the midst of it, and history will recognize it.” With Salt: The Dirty Dozen , Okeeba Jubalo offers both a personal narrative and a collective one. It is a reflection of a lifetime of artistic practice, community engagement, and cultural storytelling. It is, ultimately, an invitation: to witness, to feel, and to participate in the ongoing movement of art, culture, and heritage that he has cultivated with care, courage, and unwavering vision. RSVP for Salt: The Dirty Dozen : https://www.okeebajubalogallery.com

For two brisk autumn days, Park Circle was alive with the hum of conversation and the rustle of possibility. The 2025 Global Art Fair , powered by NobleSol Art Group  under the leadership of Okeeba Jubalo, turned the quiet rhythm of North Charleston into a vibrant dialogue about art, heritage, and community. From the street, the Park Circle Community Building appeared modest, almost unassuming. Step inside, and the light shifted—spilling across canvases, sculptures, and faces that seemed to carry the weight and memory of generations. Hampton Keith Bishop’s balloon décor from HK Balloons lent an unexpected whimsy, punctuating the room with color and movement. There was a quiet electricity in the air, a sense that something was unfolding: a reclamation of identity, a reimagining of North Charleston’s cultural landscape, and a subtle insistence on what it could and should become. Okeeba Jubalo (TGAF Founder & Executive Creative Director) A Hometown Vision with Global Reach Okeeba Jubalo speaks with the cadence of someone deeply rooted in the soil he’s enriching. Born in Charleston and raised in North Charleston, he spent nearly three decades in Atlanta building a career that blends art, entrepreneurship, and cultural storytelling. Now, through the Global Art Fair, he’s bringing that experience back home. The fair, now in its second year, is both a showcase and a statement. Jubalo’s intent is not to import culture but to reveal the creative pulse that has always been here, waiting, often overlooked, beneath the surface of industrial corridors and suburban sprawl. As he explains, “The foundational expertise and pioneering work developed across major cultural centers, including Atlanta, have brought us to this critical juncture. This phase goes beyond individual performance, an operational capability we have already mastered.” Jubalo continued, “Our vision is to establish strategic alliances with high-performing artists and cultural leaders and secure the patronage needed to fund a robust cultural platform. This initiative will decisively position North Charleston as a distinct cultural epicenter, moving beyond the shadow of downtown Charleston. The time for this advancement is now, and we are strategically poised to move forward.” The weekend’s theme,  Welcome to the New North Charleston , felt both celebratory and declarative. Inside Park Circle’s transformed space, art hung like testimony: abstract portraits, bold textile pieces, intricate line work, and the quiet stillness of painted Lowcountry landscapes. The air was filled with conversation, and beneath it, the hum of change. TGAF (Friday Cocktail Reception) A Weekend of Art, Culture, and Purpose The opening night was sold out before the doors even opened. Guests arrived dressed for celebration, greeted by the familiar warmth of Southern hospitality—handshakes, hugs, and a soundtrack by DJ Balo (Okeeba Jubalo) that promised something memorable. Opening with a powerful spoken word performance by Christine D. Johnson, Georgia Nubia, and Hafeeza Yates, the evening was curated to stir the soul and celebrate the depth of creative expression. The fine art exhibition showcased the work of Patricia Coleman-Cobb, Alvin Glen, Renee H. Fleuranges-Valdes, Georgia Nubia, Margaret Warfield, Vando Davis, and Thom Bess, among others. Their pieces reflected the Fair’s dual spirit of rootedness and reinvention. Among the featured artists, Damon Mescudi brought a powerful perspective shaped by decades of creative evolution. His reflections captured both the vision of the Global Art Fair and the impact of its leadership. Damon Mescudi “After more than 40 years as an artist, I’ve seen my share of murky landscapes. Working with Okeeba and his team in Atlanta brought clarity. In Atlanta, Okeeba cut through the noise,” said Mescudi. “As an artist himself, he understands the collector–creator dynamic and the demographics that help artists thrive in North Charleston’s fertile art scene.” Music drifted through the evening courtesy of Zandrina Dunning and Stephen Washington, performing as The ZD Experience. Their set, part of TGAF’s Soul in the Circle Concert Series, wove jazz, soul, and R&B into the very fabric of the night, threading the room with rhythm, memory, and feeling. “The Global Art Fair was more than an event—it was a celebration of culture, connection, and creative excellence,” Dunning said later. “Every note we played was rooted in love and intention, mirroring the spirit of Okeeba Jubalo and NobleSol Art Group’s vision to unify community through art and open conversation.” Zandrina Dunning Stephen Washington The aroma from Chef Alexis Mungin’s kitchen mingled with the music. Her menu, a blend of Lowcountry flavors refined with elegance, spoke in its own language of tradition and transformation. “It wasn’t just an event—it was an experience that captured the spirit of creativity, culture, and community,” she said. “Every element was thoughtfully curated, and it all came together as a true celebration of excellence.” Okeeba Jubalo & Chef Alexis Mungin Community at the Core If Friday night was a statement of artistry, Saturday was a reminder of purpose. Community Day, free and open to the public, was a lively testament to accessibility—the idea that fine art and local culture don’t belong behind velvet ropes. Julia Rugg, CEO of Wings for Kids , reflected on the experience: “What a privilege for Wings for Kids to come together with other nonprofit leaders and our North Charleston community to open lines of communication, to align how we serve families and kids, and to build ourselves as a collective!” Culture Conversations V3 Nonprofit Leaders Panel “Okeeba Jubalo and his NobleSol Art Group are sparking energy, creativity, and community so North Charleston residents and businesses can rethink how futures are shaped,” continued Rugg. “It’s a fresh lens, rooted in deep passion for an arts renaissance that is about so much more than art.” The TGAF Vendors Fair lined the grounds with small businesses, artisans, and creative entrepreneurs. Among them were Edelena Smith Butler of Unforgettable Events, Aisha and Tiffany Green Darby of A’Neera Darby Designs, Tarsha Anderson-Laboard of Bawse Thangz Consulting, Sarina Freincle of A Beautiful Distraction, Georgia Nubia, and Lady Zen of Stix, Stones & Roots Clothier. Nearby, the Classic Car Show, featuring The Men of Vision Car Club, shimmered like a living exhibit of history and craftsmanship. Children tugged at their parents’ sleeves, pointing to candy-colored cars polished to perfection. The event carried the warmth of a neighborhood gathering, yet everything was curated with precision—every element intentional, every detail impactful. Inside, the conversation shifted from art to action. Culture Conversations: The Nonprofit Leader Panel, moderated by Okeeba Jubalo and Victoria Rae Boyton Moore, co-host of TINY is POWERFUL, brought together voices shaping the civic fabric of the region. The panel featured Susan Ash of Liza’s Lifeline, Julia Rugg of Wings for Kids, Ja’nister Herring, Ericka Plater of GroundWell Collective, and Maggie Yewens of Blood Cancer United. Their discussion circled a central idea: community work and creative work are not separate, but parallel forces capable of reshaping the social landscape. The Launch of Lowcountry Cigars On Saturday afternoon, amid the hum of conversation, another kind of unveiling took place—the official launch of Lowcountry Cigars , a venture co-founded by Jubalo and Johnny Clarkson, NobleSol Art Group’s Executive Digital Director. Part ritual, part business debut, it represented a continuation of Jubalo’s mission to reclaim and celebrate Southern artistry. Each cigar told a story of craftsmanship, lineage, and pride. Speaking on the vision behind the brand, Jubalo explained, “Lowcountry Cigars is founded on the core principles of cultural ownership and creating an exclusive platform for community connection. This brand represents the culmination of a decades-long partnership between Johnny and me, strategically leveraging our expertise to elevate the premium cigar experience. While Charleston remains a highly sought-after destination, we curate our brand experience for a discerning clientele who genuinely appreciate and embody the authentic Lowcountry culture. This venture is a genuine celebration and preservation of our distinct regional heritage.” The launch had already been chronicled in Park Circle Quarterly Magazine under the headline Lightning and Thunder: The Launch of Lowcountry Cigars , but witnessing it in North Charleston carried its own resonance. It was about community and the quiet comfort of shared moments. Leadership and Collaboration Behind the scenes, the event reflected the precision of a well-tuned orchestra. Kat Brown, Finance Officer; Johnny Clarkson, Executive Digital Director; Nailah Herbert, Executive Assistant and Lead Editorial Writer; and Sarah Bolden, Community Manager, each played a distinct role in executing the vision. Johnny Clarkson TGAF & NSAG Executive Digital Director They were supported by a network of ambassadors that stretched from local artisans to national thought leaders. Among them were Dr. Ariana Curtis and Jason Warner, Director of Business Programs for Cybersecurity and AI Incident Response Strategy at Microsoft. Their involvement underscored a truth about NobleSol Art Group’s reach: it connects local communities with global networks. Artists and Voices That Inspire Featured artist Renee H. Fleuranges-Valdes described her experience as both joyful and transformative. “The Global Art Fair felt like the beginning of something new—where fine art, spoken word, music, and culture came together to connect community and celebrate who we are,” she said. Renee H. Fleuranges-Valdes TGAF Featured artist & vendor Artist Margaret Warfield added that the Fair “provided a glimpse into the imaginations of the artists whose works adorned the elegant facility, while the songs and spoken words of our history and community instilled hope and inspiration.” Margaret Warfield embracing fellow TGAF featurted artist Patrica Coleman-Cobb And for Chef Alexis Mungin, who curated the culinary experience, the connection between food and art felt natural. “Both have the ability to evoke emotion, spark conversation, and connect people across generations,” she said. “Food tells the story of where we come from, while art helps us imagine where we can go.” The Bigger Picture: Revitalization Through Art For Dr. Edward Garnes , an Atlanta-based TGAF ambassador and founder of From Afros to Shelltoes and Sweet Tea Ethics, the Global Art Fair’s impact reaches far beyond the weekend. “In its second year, The Global Art Fair has emerged as a premier gathering, transforming not just North Charleston but the arts industry as a whole,” Garnes said. “Okeeba is a leader whose heart is with the people and whose vision focuses on freedom and financial stability, enabling artists to sustain themselves through their cultural work.” Okeeba Jubalo & Dr. Ed Garnes (Atlanta-based TGAF ambassador) This is the quiet revolution taking place in North Charleston. Through NobleSol Art Group’s work, art has become both a mirror and a roadmap—a way of reminding the city of its creative lineage while charting a path forward. For Jubalo, revitalization is not about gentrification or grandstanding, but about empowerment, ownership, and cultural preservation. What’s Ahead for North Charleston As the final notes faded and the last pieces of art were packed away, Park Circle returned to its calm rhythm. But something lingered in the air, a sense that the city’s creative heart was beating stronger, steadier, and louder. “The Global Art Fair was nothing short of extraordinary,” said Chef Mungin. “It reminded us that culture is for everyone, and The Global Art Fair made that possible.” For Okeeba Jubalo, this is only the beginning. The fair is one expression of a much larger vision, to cultivate an ecosystem where art is not a luxury but a necessity, where North Charleston’s creative legacy can flourish in full view of the world. The city may once have been overlooked, but with the work of Jubalo and NobleSol Art Group, it is now looking ahead with purpose, with pride, and with promise. Learn more about Okeeba Jubalo and how the NobleSol Art Group team is shaping the North Charleston community at www.OkeebaTheMayor.com  and www.ThePCQM.com .